Issues & Debates Series
Scholarship from Getty Research Institute programs and conferences.
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Money in the Air: Art Dealers and the Making of a Transatlantic Market, 1880–1930
Edited by Gail Feigenbaum, Sandra van Ginhoven, and Edward Sterrett
Spring 2024 |
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Collecting Mesoamerican Art before 1940: A New World of Latin American Antiquities
Edited by Andrew D. Turner and Megan E. O'Neil
Fall 2023 |
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Persian Cultures of Power and the Entanglement of the Afro-Eurasian World
Edited by Matthew P. Canepa
Fall 2023 |
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Art History and Anthropology: Modern Encounters, 1870–'1970
Edited by Peter Probst and Joseph Imorde
Fall 2023 |
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Encounters in Video Art in Latin America
Edited by Elena Shtromberg and Glenn Phillips
Fall 2022 |
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Purity Is a Myth: The Materiality of Concrete Art from Argentina, Brazil, and Uruguay
Edited by Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk
Spring 2021 |
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Visualizing Empire: Africa, Europe, and the Politics of Representation
Edited by Rebecca Peabody, Steven Nelson, and Dominic Thomas
Fall 2020 |
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Canons and Values: Ancient to Modern
Edited by Larry Silver and Kevin Terraciano
Spring 2019 |
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London and the Emergence of a European Art Market, 1780–1820
Edited by Susanna Avery-Quash and Christian Huemer
Spring 2019 |
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Photography and Sculpture: The Art Object in Reproduction
Edited by Sarah Hamill and Megan R. Luke
Fall 2017 |
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Qing Encounters: Artistic Exchanges between China and the West
Edited by Petra ten-Doesschate Chu and Ning Ding
Fall 2015 |
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Lawrence Alloway: Critic and Curator
Edited by Lucy Bradnock, Courtney J. Martin, and Rebecca Peabody
Spring 2015 |
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Manuscript Cultures of Colonial Mexico and Peru: New Questions and Approaches
Edited by Thomas B. F. Cummins, Emily Engel, Barbara Anderson, and Juan Ossio
Fall 2014 |
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World Antiquarianism: Comparative Perspectives
Edited by Alain Schnapp
With Lothar von Falkenhausen, Peter N. Miller, and Tim Murray Fall 2013 |
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Photography's Orientalism: |
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Provenance: An Alternate History of Art
Edited by Gail Feigenbaum and Inge Reist
Fall 2012 |
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Surrealism in Latin America: Vivísimo Muerto
Edited by Dawn Ades, Rita Eder, and Graciela Speranza
Fall 2012 |
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Sacred Possessions: Collecting Italian Religious Art, 1500–1900
Edited by Gail Feigenbaum and
Sybille Ebert-Schifferer Fall 2010 |
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Cultural Identity in the Ancient Mediterranean
Edited by Erich S. Gruen
Fall 2010 |
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Bernard Picart and the First Global Vision of Religion
Edited by Lynn Hunt, Margaret Jacob,
and Wijnand Mijnhardt Fall 2009 |
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Harry Smith: The Avant-Garde |
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The Fragment: An Incomplete History
Edited by William Tronzo
Spring 2009 |
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Walls of Algiers: Narratives of the City through Text and Image
Edited by Zeynep Çelik, Julia Clancy-Smith,
and Frances Terpak Spring 2009 |
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Late Thoughts: Reflections on Artists and Composers at Work
Edited by Karen Painter and Thomas Crow
Spring 2006 |
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Rethinking Boucher
Edited by Melissa Hyde and Mark Ledbury
Spring 2006 |
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Seeing Rothko
Edited by Glenn Phillips and Thomas Crow
Fall 2005 |
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Representing the Passions: Histories, Bodies, Visions
Edited by Richard Meyer
Spring 2003 |
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Situating El Lissitzky: Vitebsk, Berlin, Moscow
Edited by Nancy Perloff and Brian Reed
Spring 2003 |
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The Archaeology of Colonialism
Edited by Claire L. Lyons and John K. Papadopoulos
Spring 2002 |
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Claiming the Stones/Naming the Bones: Cultural Property and the Negotiation of National and Ethnic Identity
Edited by Elazar Barkan and Ronald Bush
Fall 2002 |
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Looking for Los Angeles: Architecture, Film, Photography, |
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Disturbing Remains: Memory, History, and Crisis in the Twentieth Century
Edited by Michael S. Roth and Charles G. Salas
Spring 2001 |
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Nietzsche and "An Architecture of Our Minds"
Edited by Alexandre Kostka and Irving Wohlfarth
Spring 1999 |
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Dosso's Fate: Painting and Court Culture in Renaissance Italy
Edited by Luisa Ciammitti, Steven F. Ostrow,
and Salvatore Settis Fall 1998 |
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Censorship and Silencing: |
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Otto Wagner: Reflections on the Raiment of Modernity
Edited by Harry Francis Mallgrave
Fall 1993 |
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American Icons: Transatlantic Perspectives on Eighteenth- and Nineteenth-Century American Art
Edited by Thomas W. Gaehtgens and
Heinz Ickstadt Fall 1992 |
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Art in History/History in Art: |
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