Exhibition Catalogs
Catalogs and other titles complementing Research Institute exhibitions.
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Sensing the Future: Experiments in Art and Technology (E.A.T.)
Edited by Nancy Perloff and Michelle Kuo
Fall 2024 |
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Alfredo Boulton: Looking at Venezuela, 1928–1978
Edited by Idurre Alonso
Spring 2023 |
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The Way to Be: A Memoir
Barbara T. Smith
Spring 2023 |
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Códice Maya de México: Understanding the Oldest Surviving Book of the Americas
Edited by Andrew D. Turner
Fall 2022 |
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Flesh and Bones: The Art of Anatomy
Monique Kornell
Spring 2022 |
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Käthe Kollwitz: Prints, Process, Politics
Edited by Louis Marchesano
Fall 2019 |
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Artists and Their Books / Books and Their Artists
Marcia Reed and Glenn Phillips
Spring 2018 |
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Harald Szeemann: Museum of Obsessions
Edited by Glenn Phillips and Philipp Kaiser
With Doris Chon and Pietro Rigolo Spring 2018 |
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Promote, Tolerate, Ban: Art and Culture in Cold War Hungary
Edited by Cristina Cuevas-Wolf and Isotta Poggi
Essays by Katalin Cseh-Varga, Cristina Cuevas-Wolf, Dávid Fehér, Steven Mansbach, Géza Perneczky, Isotta Poggi, and Tibor Valuch Fall 2017 Accompanies an exhibition at the Wende Museum of the Cold War co-curated by the Getty Research Institute |
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Golden Kingdoms: Luxury Arts in the Ancient Americas
Edited by Joanne Pillsbury, Timothy Potts, and Kim N. Richter
Fall 2017 |
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Making Art Concrete: Works from Argentina and Brazil in the Colección Patricia Phelps de Cisneros
Pia Gottschaller and Aleca Le Blanc
Edited by Pia Gottschaller, Aleca Le Blanc, Zanna Gilbert, Tom Learner, and Andrew Perchuk Fall 2017 |
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The Edible Monument: The Art of Food for Festivals
Edited by Marcia Reed
With contributions by Charissa Bremer-David, Joseph Imorde, Marcia Reed, and Anne Willan Fall 2015 |
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A Kingdom of Images: French Prints in the Age of Louis XIV, 1660–1715
Edited by Peter Fuhring, Louis Marchesano, Rémi Mathis, and Vanessa Selbach
Spring 2015 |
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Nothing but the Clouds Unchanged: Artists in World War I
Edited by Gordon Hughes and Philipp Blom
Fall 2014 |
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Los Angeles Union Station
Edited by Marlyn Musicant
With contributions by William Deverell and Matthew W. Roth Spring 2014 |
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Overdrive: L.A. Constructs the Future, 1940–1990
Edited by Wim de Wit and Christopher James Alexander
Spring 2013 |
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Farewell to Surrealism: The Dyn Circle in Mexico
Annette Leddy and Donna Conwell
Introduction by Dawn Ades Fall 2012 |
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Pacific Standard Time: Los Angeles Art, 1945–1980
Edited by Rebecca Peabody, Andrew Perchuk, Glenn Phillips, and Rani Singh, with Lucy Bradnock
Fall 2011 |
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Display & Art History: The Düsseldorf Gallery and Its Catalogue
Thomas W. Gaehtgens and Louis Marchesano
Fall 2011 |
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Brush & Shutter: Early Photography in China
Edited by Jeffrey W. Cody and Frances Terpak
Spring 2011 |
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China on Paper: European and Chinese Works from the Late Sixteenth to the Early Nineteenth Century
Edited by Marcia Reed and Paola Demattè Spring 2011 |
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The Aztec Calendar Stone
Edited by Khristaan D. Villela
and Mary Ellen Miller Spring 2010 |
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Printing the Grand Manner: Charles Le Brun and Monumental Prints in the Age of Louis XIV
Louis Marchesano and Christian Michel
Spring 2010 |
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Walls of Algiers: Narratives of the City through Text and Image
Edited by Zeynep Çelik, Julia Clancy-Smith,
and Frances Terpak Spring 2009 |
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The Getty Murúa: Essays on the Making of Martín de Murúa's "Historia general del Piru," J. Paul Getty Museum Ms. Ludwig XIII 16
Edited by Thomas B. F. Cummins and
Barbara Anderson Spring 2008 |
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California Video: Artists and Histories
Edited by Glenn Phillips
Spring 2008 |
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Art, Anti-Art, Non Art: Experimentation in the Public Sphere in Postwar Japan, |
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Situating El Lissitzky: Vitebsk, Berlin, Moscow
Edited by Nancy Perloff and Brian Reed
Spring 2003 |
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Devices of Wonder: From the World in a Box to Images on a Screen
Barbara Maria Stafford and Frances Terpak
Fall 2001 |
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Making a Prince's Museum: Drawings from the Late-Eighteenth-Century Redecoration of the Villa Borghese
Carole Paul, with an essay by Alberta Campitelli
Spring 2000 |
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Shaping the Great City: Modern Architecture in Central Europe, 1890–1937
Edited by Eve Blau and Monika Platzer
Fall 1999 |
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Incendiary Art: The Representation of Fireworks in Early Modern Europe
Kevin Salatino
Fall 1997 |
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Irresistible Decay: Ruins Reclaimed
Michael S. Roth with Claire Lyons and Charles Merewether
Fall 1997 |
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