All Getty Research Institute Publications
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Lively. Experimental. Intellectually challenging. Browse the complete list.
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Ed Ruscha's Streets of Los Angeles: Artist, Image, Archive, City
Edited by Andrew Perchuk, Emily Pugh, and Zanna Gilbert, with Tracy Stuber and Isabel Frampton Wade
Spring 2025 |
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The Scores Project: Essays on Experimental Notation in Music, Art, Poetry, and Dance, 1950–1975
Edited by Michael Gallope, Natilee Harren, and John Hicks, with contributions by Emily Ruth Capper, George E. Lewis, Julia Bryan-Wilson, Benjamin Piekut, and Nancy Perloff
Spring 2025 |
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Getty Research Journal, no. 20
Spring 2025
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Sensing the Future: Experiments in Art and Technology (E.A.T.)
Edited by Nancy Perloff and Michelle Kuo
Fall 2024 |
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Franklin D. Israel: A Life in Architecture
Todd Gannon
Fall 2024 |
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Getty Research Journal, no. 19
Spring 2024
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The Secrets We Keep: Hidden Histories of the Byzantine Empire
Roland Betancourt
Spring 2024 |
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The Mobile Image from Watteau to Boucher
David Pullins
Spring 2024 |
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Money in the Air: Art Dealers and the Making of a Transatlantic Market, 1880–1930
Edited by Gail Feigenbaum, Sandra van Ginhoven, and Edward Sterrett
Spring 2024 |
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Getty Research Journal, no. 18
Fall 2023
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Collecting Mesoamerican Art before 1940: A New World of Latin American Antiquities
Edited by Andrew D. Turner and Megan E. O'Neil
Fall 2023 |
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Persian Cultures of Power and the Entanglement of the Afro-Eurasian World
Edited by Matthew P. Canepa
Fall 2023 |
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East Asian Aesthetics and the Space of Painting in Eighteenth-Century Europe
Isabelle Tillerot
Translated by Chris Miller Fall 2023 |
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Artists' Things: Rediscovering Lost Property from Eighteenth-Century France
Katie Scott and Hannah Williams
Fall 2023 |
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Art History and Anthropology: Modern Encounters, 1870–1970
Edited by Peter Probst and Joseph Imorde
Fall 2023 |
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Alfredo Boulton: Looking at Venezuela, 1928–1978
Edited by Idurre Alonso
Spring 2023 |
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The Way to Be: A Memoir
Barbara T. Smith
Spring 2023 |
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George A. Kubler and the Shape of Art History
Thomas F. Reese
Spring 2023 |
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Códice Maya de México: Understanding the Oldest Surviving Book of the Americas
Edited by Andrew D. Turner
Fall 2022 |
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Henry van de Velde: Selected Essays, 1889–1914
Henry van de Velde
Edited by Katherine M. Kuenzli Translated by Elizabeth Tucker Fall 2022 |
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The Absolute Realist: Collected Writings of Albert Renger-Patzch, 1923–1967
Albert Renger-Patzsch
Edited and translated by Daniel H. Magilow Fall 2022 |
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Encounters in Video Art in Latin America
Edited by Elena Shtromberg and Glenn Phillips
Fall 2022 |
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Transpacific Engagements: Trade, Translation, and Visual Culture of Entangled Empires (1565–1898)
Edited by Florina H. Capistrano-Baker and Meha Priyadarshini
Fall 2022 |
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Flesh and Bones: The Art of Anatomy
Monique Kornell
Spring 2022 |
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Los Angeles: The Development, Life, and Structure of the City of Two Million in Southern California
Anton Wagner
Edited by Edward Dimendberg Translated by Timothy Grundy Spring 2022 |
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The Invention of the Colonial Americas: Data, Architecture, and the Archive of the Indies, 1781–1844
Byron Ellsworth Hamann
Spring 2022 |
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Monet Hates Me
Tacita Dean
Fall 2021 |
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Antiquarians of Nineteenth-Century Japan: The Archaeology of Things in the Late Tokugawa and Early Meiji Periods
Hiroyuki Suzuki
Edited and translated by Maki Fukuoka Fall 2021 |
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The Sun King at Sea: Maritime Art and Galley Slavery in Louis XIV's France
Meredith Martin and Gillian Weiss
Fall 2021 |
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The Life of Lambert Lombard (1565); and Effigies of Several Famous Painters from the Low Countries (1572)
Dominicus Lampsonius
Edited and translated by Edward H. Wouk Fall 2021 |
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A Maya Universe in Stone
Edited by Stephen Houston
Fall 2021 |
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L.A. Graffiti Black Book
David Brafman
Spring 2021 |
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The Metropolis in Latin America, 1830–1930: Cityscapes, Photographs, Debates
Edited by Idurre Alonso and Maristella Casciato
Spring 2021 |
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Purity Is a Myth: The Materiality of Concrete Art from Argentina, Brazil, and Uruguay
Edited by Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk
Spring 2021 |
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Rubens in Repeat: The Logic of the Copy in Colonial Latin America
Aaron M. Hyman
Spring 2021 |
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Under Discussion: The Encyclopedic Museum
Edited by Donatien Grau
Spring 2021 |
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Visualizing Empire: Africa, Europe, and the Politics of Representation
Edited by Rebecca Peabody, Steven Nelson, and Dominic Thomas
Fall 2020 |
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Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World
Samuel van Hoogstraten
Edited by Celeste Brusati Translation by Jaap Jacobs Fall 2020 |
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Art and Curiosity Cabinets of the Late Renaissance: A Contribution to the History of Collecting
Julius von Schlosser
Edited by Thomas DaCosta Kaufmann Translation by Jonathan Blower Fall 2020 |
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Fluxus Means Change: Jean Brown's Avant-Garde Archive
Marcia Reed
Fall 2020 |
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Hollywood Arensberg: Avant-Garde Collecting in Midcentury L.A.
Mark Nelson, William H. Sherman, and Ellen Hoobler
Fall 2020 |
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Lectures on Art: Selected Conférences from the Académie Royale de Peinture et de Sculpture, 1667–1772
Edited by Christian Michel and Jacqueline Lichtenstein
Translated by Chris Miller Spring 2020 |
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The Tastemakers: British Dealers and the Anglo-Gallic Interior, 1785–1865
Diana Davis
Spring 2020 |
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Sarnath: A Critical History of the Place Where Buddhism Began
Frederick M. Asher
Fall 2019 |
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A Rare Treatise on Interior Decoration and Architecture: Joseph Friedrich zu Racknitz's Presentation and History of the Taste of the Leading Nations
Joseph Friedrich zu Racknitz
Edited and translated by Simon Swynfen Jervis Fall 2019 |
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More than One Picture: An Art History of the Hyperimage
Felix Thürlemann
Fall 2019 |
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Käthe Kollwitz: Prints, Process, Politics
Edited by Louis Marchesano
Fall 2019 |
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Tremaine Houses: One Family's Patronage of Domestic Architecture in Midcentury America
Volker M. Welter
Fall 2019 |
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Canons and Values: Ancient to Modern
Edited by Larry Silver and Kevin Terraciano
Spring 2019 |
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Out of Bounds: The Collected Writings of Marcia Tucker
Edited by Lisa Phillips, Johanna Burton, and Alicia Ritson, with Kate Wiener
Spring 2019 |
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London and the Emergence of a European Art Market, 1780–1820
Edited by Susanna Avery-Quash and Christian Huemer
Spring 2019 |
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Antiquities in Motion: From Excavation Sites to Renaissance Collections
Barbara Furlotti
Spring 2019 |
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Pierre Koenig: A View from the Archive
Neil Jackson
Fall 2018 |
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Architecture and Design at the Museum of Modern Art: The Arthur Drexler Years, 1951–1986
Thomas S. Hines
Fall 2018 |
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The Central Collecting Point in Munich: A New Beginning for the Restitution and Protection of Art
Iris Lauterbach
Translated by Fiona Elliott Introduction by James J. Sheehan Fall 2018 |
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The Art of Curating: Paul J. Sachs and the Museum Course at Harvard
Sally Anne Duncan and Andrew McClellan
Spring 2018 |
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The Sistine Chapel: Paradise in Rome
Ulrich Pfisterer
Translated by David Dollenmayer Spring 2018 |
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Artists and Their Books / Books and Their Artists
Marcia Reed and Glenn Phillips
Spring 2018 |
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Getty Research Journal, no. 9s1 (2017)
Special Issue: Examining Pollock: Essays Inspired by the Mural
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Reims on Fire: War and Reconciliation between France and Germany
Thomas W. Gaehtgens
Spring 2018 |
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Harald Szeemann: Museum of Obsessions
Edited by Glenn Phillips and Philipp Kaiser
With Doris Chon and Pietro Rigolo Spring 2018 |
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Harald Szeemann: Selected Writings
Harald Szeemann
Edited by Doris Chon, Glenn Phillips, and Pietro Rigolo Translated by Jonathan Blower and Elizabeth Tucker Spring 2018 |
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Dialogue on the Errors and Abuses of Painters
Giovanni Andrea Gilio
Edited by Michael Bury, Lucinda Byatt, and Carol M. Richardson Translated by Michael Bury and Lucinda Byatt Spring 2018 |
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Promote, Tolerate, Ban: Art and Culture in Cold War Hungary
Edited by Cristina Cuevas-Wolf and Isotta Poggi
Essays by Katalin Cseh-Varga, Cristina Cuevas-Wolf, Dávid Fehér, Steven Mansbach, Géza Perneczky, Isotta Poggi, and Tibor Valuch Fall 2017 Accompanies an exhibition at the Wende Museum of the Cold War co-curated by the Getty Research Institute |
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The Académie Royale de Peinture et de Sculpture: The Birth of the French School, 1648–1793
Christian Michel
Translation by Chris Miller Fall 2017 |
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Photography and Sculpture: The Art Object in Reproduction
Edited by Sarah Hamill and Megan R. Luke
Fall 2017 |
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Golden Kingdoms: Luxury Arts in the Ancient Americas
Edited by Joanne Pillsbury, Timothy Potts, and Kim N. Richter
Fall 2017 |
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Reyner Banham and the Paradoxes of High Tech
Todd Gannon
Fall 2017 |
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Making Art Concrete: Works from Argentina and Brazil in the Colección Patricia Phelps de Cisneros
Pia Gottschaller and Aleca Le Blanc
Edited by Pia Gottschaller, Aleca Le Blanc, Zanna Gilbert, Tom Learner, and Andrew Perchuk Fall 2017 |
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Practical Discourses on the Most Noble Art of Painting
Jusepe Martínez
Edited by Zahira Véliz Translated by David McGrath and Zahira Véliz Spring 2017 |
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Adolph Menzel: The Quest for Reality
Werner Busch
Spring 2017 |
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Real Birds in Imagined Gardens: Mughal Painting between Persia and Europe
Kavita Singh
Spring 2017 |
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Getty Research Journal, no. 9 (2017)
Spring 2017
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Japanese Zen Buddhism and the Impossible Painting
Yukio Lippit
Spring 2017 |
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Gustave Caillebotte: Painting the Paris of Naturalism, 1872–1887
Michael Marrinan
Spring 2017 |
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The Los Angeles Central Library: Building an Architectural Icon, 1872–1933
Kenneth A. Breisch
With a foreword by Kevin Starr Fall 2016 |
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The Book on the Floor: André Malraux and the Imaginary Museum
Walter Grasskamp
Fall 2016 |
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The Invention of the American Art Museum: From Craft to Kulturgeschichte, 1870–1930
Kathleen Curran
Spring 2016 |
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Introduction to Metadata |
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The Shining Inheritance: Italian Painters at the Qing Court, 1699–1812
Marco Musillo
Spring 2016 |
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The Artist and His Critic Stripped Bare: The Correspondence of Marcel Duchamp and Robert Lebel
Bilingual Edition
Edited and translated by Paul B. Franklin With a foreword by Jean-Jacques Lebel Spring 2016 |
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Futurist Painting Sculpture (Plastic Dynamism)
Umberto Boccioni
Introduction by Maria Elena Versari Translation by Richard Shane Agin and Maria Elena Versari Spring 2016 |
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Getty Research Journal, no. 8 (2016)
Spring 2016
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Robert Mapplethorpe: The Archive
Frances Terpak and Michelle Brunnick
With essays by Patti Smith and Jonathan Weinberg Spring 2016 |
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Man Ray: Writings on Art
Edited by Jennifer Mundy
Fall 2015 |
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The Edible Monument: The Art of Food for Festivals
Edited by Marcia Reed
With contributions by Charissa Bremer-David, Joseph Imorde, Marcia Reed, and Anne Willan Fall 2015 |
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Qing Encounters: Artistic Exchanges between China and the West
Edited by Petra ten-Doesschate Chu and Ning Ding
Fall 2015 |
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Pietro Mellini's Inventory in Verse, 1681
Edited by Murtha Baca and Nuria Rodríguez Ortega
With notes and essays by Murtha Baca, Francesca Cappelletti, Helen Glanville, and Nuria Rodríguez Ortega Spring 2015 |
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Lawrence Alloway: Critic and Curator
Edited by Lucy Bradnock, Courtney J. Martin, and Rebecca Peabody
Spring 2015 |
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A Kingdom of Images: French Prints in the Age of Louis XIV, 1660–1715
Edited by Peter Fuhring, Louis Marchesano, Rémi Mathis, and Vanessa Selbach
Spring 2015 |
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Getty Research Journal, no. 7 (2015)
Spring 2015
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Principles of Art History: The Problem of the Development of Style in Early Modern Art
One Hundredth Anniversary Edition
Heinrich Wölfflin A New Translation by Jonathan Blower Essays by Evonne Levy and Tristan Weddigen Spring 2015 |
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Manuscript Cultures of Colonial Mexico and Peru: New Questions and Approaches
Edited by Thomas B. F. Cummins, Emily Engel, Barbara Anderson, and Juan Ossio
Fall 2014 |
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Nothing but the Clouds Unchanged: Artists in World War I
Edited by Gordon Hughes and Philipp Blom
Fall 2014 |
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Manet Paints Monet: A Summer in Argenteuil
Willibald Sauerländer
Translated by David Dollenmayer Fall 2014 |
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Display of Art in the Roman Palace, 1550–1750
Edited by Gail Feigenbaum
Spring 2014 |
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The Colors of the New World: Artists, Materials, and the Creation of the Florentine Codex
Diana Magaloni Kerpel
Spring 2014 |
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Los Angeles Union Station
Edited by Marlyn Musicant
With contributions by William Deverell and Matthew W. Roth Spring 2014 |
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The Catholic Rubens: Saints and Martyrs
Willibald Sauerländer
Translated by David Dollenmayer Spring 2014 |
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Getty Research Journal, no. 6 (2014)
Spring 2014
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World Antiquarianism: Comparative Perspectives
Edited by Alain Schnapp
With Lothar von Falkenhausen, Peter N. Miller, and Tim Murray Fall 2013 |
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The First Treatise on Museums: |
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Photography's Orientalism: |
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Chatting with Henri Matisse: |
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Overdrive: L.A. Constructs the Future, 1940–1990
Edited by Wim de Wit and Christopher James Alexander
Spring 2013 |
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Las Vegas in the Rearview Mirror: The City in Theory, Photography, and Film
Martino Stierli
Translation by Elizabeth Tucker Spring 2013 |
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Getty Research Journal, No. 5
Spring 2013
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Provenance: An Alternate History of Art
Edited by Gail Feigenbaum and Inge Reist
Fall 2012 |
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Farewell to Surrealism: The Dyn Circle in Mexico
Annette Leddy and Donna Conwell
Introduction by Dawn Ades Fall 2012 |
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Surrealism in Latin America: Vivísimo Muerto
Edited by Dawn Ades, Rita Eder, and Graciela Speranza
Fall 2012 |
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Discourse on Sacred and Profane Images
Gabriele Paleotti
Introduction by Paolo Prodi Translation by William McCuaig Fall 2012 |
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Letters to Miranda and Canova on the Abduction of Antiquities from Rome and Athens
Antoine Quatremère de Quincy
Introduction by Dominique Poulot Translation by Chris Miller and David Gilks Spring 2012 |
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Getty Research Journal, No. 4
Spring 2012
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Pacific Standard Time: Los Angeles Art, 1945–1980
Edited by Rebecca Peabody, Andrew Perchuk, Glenn Phillips, and Rani Singh, with Lucy Bradnock
Fall 2011 |
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Display & Art History: The Düsseldorf Gallery and Its Catalogue
Thomas W. Gaehtgens and Louis Marchesano
Fall 2011 |
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Modern Japanese Art and the Meiji State
Dōshin Satō
Translation by Hiroshi Nara Spring 2011 |
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Paragons and Paragone
Rudolf Preimesberger
Translation by Sabine Eiche and Fiona Elliott Spring 2011 |
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Brush & Shutter: Early Photography in China
Edited by Jeffrey W. Cody and Frances Terpak
Spring 2011 |
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Getty Research Journal, No. 3
Spring 2011
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Sacred Possessions: Collecting Italian Religious Art, 1500–1900
Edited by Gail Feigenbaum and
Sybille Ebert-Schifferer Fall 2010 |
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See and hear futurist poetry from this book
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Cultural Identity in the Ancient Mediterranean
Edited by Erich S. Gruen
Fall 2010 |
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Cultural Identity in the Ancient Mediterranean
Edited by Erich S. Gruen
Fall 2010 |
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G: An Avant-Garde Journal of Art, Architecture, Design, and Film, 1923–1926
Edited by Detlef Mertins and Michael W. Jennings
Fall 2010 |
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The Origins of Baroque Art in Rome
Alois Riegl
Edited and translated by Andrew Hopkins and Arnold Witte Fall 2010 |
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Futures & Ruins: Eighteenth-Century Paris and the Art of Hubert Robert
Nina L. Dubin
Fall 2010 |
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The Aztec Calendar Stone
Edited by Khristaan D. Villela
and Mary Ellen Miller Spring 2010 |
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Getty Research Journal, No. 2
Spring 2010
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Printing the Grand Manner: Charles Le Brun and Monumental Prints in the Age of Louis XIV
Louis Marchesano and Christian Michel
Spring 2010 |
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Visual Planning and the Picturesque
Nikolaus Pevsner
Edited by Mathew Aitchison Spring 2010 |
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Bernard Picart and the First Global Vision of Religion
Edited by Lynn Hunt, Margaret Jacob, and Wijnand Mijnhardt
Fall 2009 |
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Harry Smith: The Avant-Garde |
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The Fragment: An Incomplete History
Edited by William Tronzo
Spring 2009 |
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Getty Research Journal, No. 1
Spring 2009
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Sculpture and Enlightenment
Erika Naginski
Spring 2009 |
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Walls of Algiers: Narratives of the City through Text and Image
Edited by Zeynep Çelik, Julia Clancy-Smith, and Frances Terpak
Spring 2009 |
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Art of the Defeat, France 1940–1944
Laurence Bertrand Dorléac
Translation by Jane Marie Todd Fall 2008 |
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The Blind Spot: An Essay on the Relations between Painting and Sculpture in the Modern Age
Jacqueline Lichtenstein
Translation by Chris Miller Fall 2008 |
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Meyer Schapiro Abroad: Letters to Lillian and Travel Notebooks
Edited by Daniel Esterman
Fall 2008 |
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Allan Kaprow—Art as Life
Edited by Eva Meyer-Hermann, Andrew Perchuk, and Stephanie Rosenthal
Spring 2008 |
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California Video: Artists and Histories
Edited by Glenn Phillips
Spring 2008 |
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The Color of Life: Polychromy in Sculpture from Antiquity to the Present
Edited by Roberta Panzanelli with Eike Schmidt and Kenneth Lapatin
Spring 2008 |
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Dilettanti: The Antic and the Antique in Eighteenth-Century England
Bruce Redford
Spring 2008 |
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Ephemeral Bodies: Wax Sculpture and the Human Figure
Edited by Roberta Panzanelli
Spring 2008 |
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The Getty Murúa: Essays on the Making of Martín de Murúa's "Historia general del Piru," J. Paul Getty Museum Ms. Ludwig XIII 16
Edited by Thomas B. F. Cummins and
Barbara Anderson Spring 2008 |
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Historia general del Piru
Boxed set: facsimile of J. Paul Getty Museum Ms. Ludwig XIII 16 & The Getty Murúa
Martín de Murúa Spring 2008 |
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Introduction to Metadata |
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China on Paper: European and Chinese Works from the Late Sixteenth to the Early Nineteenth Century
Edited by Marcia Reed and Paola Demattè Spring 2011 |
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Toward an Architecture
Le Corbusier
Translation by John Goodman Fall 2007 |
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The Life and the Work: |
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Titian Remade: Repetition and the Transformation of Early Modern Italian Art
Maria H. Loh
Spring 2007 |
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Art, Anti-Art, Non Art: Experimentation in the Public Sphere in Postwar Japan, |
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Late Thoughts: Reflections on Artists and Composers at Work
Edited by Karen Painter and Thomas Crow
Spring 2006 |
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Rethinking Boucher
Edited by Melissa Hyde and Mark Ledbury
Spring 2006 |
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History of the Art of Antiquity
Johann Joachim Winckelmann
Translation by Harry Francis Mallgrave Fall 2005 |
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Making Up the Rococo: François Boucher and His Critics
Melissa Hyde
Fall 2005 |
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Seeing Rothko
Edited by Glenn Phillips and Thomas Crow
Fall 2005 |
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Italian Renaissance Painting According to Genres
Jacob Burckhardt
Translation by David Britt and Caroline Beamish Fall 2004 |
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Lucien Hervé: Building Images
Olivier Beer
Spring 2004 |
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Style in the Technical and Tectonic Arts; or, Practical Aesthetics: A Handbook for Technicians, Artists, and Patrons of Art
Gottfried Semper
Translation by Harry Francis Mallgrave and Michael Robinson Spring 2004 |
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Had Gadya: The Only Kid
Facsimile of El Lissitzky's 1919 edition
Edited by Arnold J. Band Fall 2003 |
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Introduction to Imaging |
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Odd Man Out: Readings of the Work and Reputation of Edgar Degas
Carol Armstrong
Fall 2003 |
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Painted Love: Prostitution in French Art of the Impressionist Era
Hollis Clayson
Fall 2003 |
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The Ruins of the Most Beautiful Monuments of Greece
Julien-David Le Roy
Translation by David Britt Fall 2003 |
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Representing the Passions: Histories, Bodies, Visions
Edited by Richard Meyer
Spring 2003 |
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Situating El Lissitzky: Vitebsk, Berlin, Moscow
Edited by Nancy Perloff and Brian Reed
Spring 2003 |
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The Houses and Collections of the Marquis de Marigny
Alden R. Gordon
Fall 2003 |
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The Archaeology of Colonialism
Edited by Claire L. Lyons and John K. Papadopoulos
Spring 2002 |
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Claiming the Stones/Naming the Bones: Cultural Property and the Negotiation of National and Ethnic Identity
Edited by Elazar Barkan and Ronald Bush
Fall 2002 |
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Nine Letters on Landscape Painting Written in the Years 1815–1824; with a Letter from Goethe by Way of Introduction
Carl Gustav Carus
Translation by David Britt Fall 2002 |
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Observations on the Letter of Monsieur Mariette with Opinions on Architecture, and a Preface to a New Treatise on the Introduction and Progress of the Fine Arts in Europe in Ancient Times
Giovanni Battista Piranesi
Translation by Caroline Beamish and David Britt Fall 2002 |
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Collections of Paintings in Haarlem, 1572–1745
Pieter Biesboer
Spring 2002 |
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Introduction to Art Image Access: Tools, Standards, and Strategies
Edited by Murtha Baca
Spring 2002 |
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Devices of Wonder: From the World in a Box to Images on a Screen
Barbara Maria Stafford and Frances Terpak
Fall 2001 |
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Looking for Los Angeles: Architecture, Film, Photography, |
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The World from Here: Treasures of the Great Libraries of Los Angeles
Edited by Cynthia Burlingham and Bruce Whiteman
Fall 2001 |
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Disturbing Remains: Memory, History, and Crisis in the Twentieth Century
Edited by Michael S. Roth and Charles G. Salas
Spring 2001
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Modern Architecture in |
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Précis of the Lectures on Architecture with Graphic Portion of the Lectures on Architecture
Jean-Nicolas-Louis Durand
Translation by David Britt Fall 2000 |
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Aldo Rossi: I quaderni azzurri
Aldo Rossi
Spring 2000 |
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Making a Prince's Museum: Drawings from the Late-Eighteenth-Century Redecoration of the Villa Borghese
Carole Paul, with an essay by Alberta Campitelli
Spring 2000 |
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Time and Bits: Managing Digital Continuity
Edited by Margaret MacLean and Ben H. Davis
Spring 2000 |
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The Victory of the New |
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The Group Portraiture of Holland
Alois Riegl
Translation by Evelyn M. Kain Fall 1999 |
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Maiolica in the Making: The Gentili/Barnabei Archive
Catherine Hess
Fall 1999 |
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Shaping the Great City: Modern Architecture in Central Europe, 1890–1937
Edited by Eve Blau and Monika Platzer
Fall 1999 |
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Nietzsche and "An Architecture of Our Minds"
Edited by Alexandre Kostka and Irving Wohlfarth
Spring 1999 |
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The Renewal of Pagan Antiquity
Aby Warburg
Translation by David Britt Spring 1999 |
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Introduction to Object ID: Guidelines for Making Records that Describe Art, Antiques, and Antiquities
Robin Thornes with Peter Dorell and Henry Lie
Fall 1999 |
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Introducción a los metadatos: Vías a la información digital
Edited by Murtha Baca
Translation by Marisol Jacas-Santoll Spring 1999 |
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Introduction to Managing Digital Assets: Options for Cultural and Educational Organizations
Diane M. Zorich
Spring 1999 |
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Introduction to Vocabularies: Enhancing Access to Cultural Heritage Information
Elisa Lanzi
Spring 1999 |
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Collezionisti e quadrerie nella Bologna del Seicento Inventari, 1640–1707
Raffaella Morselli
Fall 1998 |
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Dosso's Fate: Painting and Court Culture in Renaissance Italy
Edited by Luisa Ciammitti, Steven F. Ostrow,
and Salvatore Settis Fall 1998 |
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Introduction to Archival Organization and Description: Access to Cultural Heritage
Michael J. Fox and Peter L. Wilkerson
Fall 1998 |
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Introduction to Metadata: |
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Censorship and Silencing: |
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Collections of Paintings in Madrid, 1601–1755
Marcus B. Burke and Peter Cherry
Spring 1998 |
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Incendiary Art: The Representation of Fireworks in Early Modern Europe
Kevin Salatino
Fall 1997 |
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Irresistible Decay: Ruins Reclaimed
Michael S. Roth with Claire Lyons and Charles Merewether
Fall 1997 |
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Russian Modernism: The Collections of the Getty Research Institute for the History of Art and the Humanities
Compilation by David Woodruff and Ljiljana Grubišić
Spring 1997 |
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The Modern Functional Building
Adolf Behne
Translation by Michael Robinson Fall 1996 |
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Thoughts on Style, 1886–1909
Hendrik Petrus Berlage
Translation by Iain Boyd Whyte and Wim de Wit Spring 1996 |
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Collezione dei dipinti Colonna: Inventari, 1611–1795
Eduard A. Safarik with Cinzia Pujia
Fall 1996 |
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Building in France; Building in Iron; Building in Ferroconcrete
Sigfried Giedion
Translation by J. Duncan Berry Fall 1995 |
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Introduction to Imaging: Issues in Constructing an Image Database
Howard Besser and Jennifer Trant
Fall 1995 |
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The Topkapi Scroll: Geometry and Ornament in Islamic Architecture
Gülru Necipoglu
With an essay by Mohammad al-Asad Fall 1995 |
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Essays on Architecture, 1796–1799
Friedrich Gilly
Translation by David Britt Fall 1994 |
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Style-Architecture and Building-Art: Transformations of Architecture in the Nineteenth-Century and Its Present Condition
Hermann Muthesius
Fall 1994 |
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Empathy, Form, and Space: Problems in German Aesthetics, 1873–1893
Conrad Fiedler, Adolf Göller, Adolf Hildebrand, August Schmarsow, Robert Vischer, and Heinrich Wölfflin
Translation by Harry Francis Mallgrave and Eleftherios Ikonomou Spring 1994 |
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Ordonnance for the Five Kinds of Columns after the Method of the Ancients
Claude Perrault
Translation by Indra Kagis McEwen Spring 1993 |
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Otto Wagner: Reflections on the Raiment of Modernity
Edited by Harry Francis Mallgrave
Fall 1993 |
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American Icons: Transatlantic Perspectives on Eighteenth- and Nineteenth-Century American Art
Edited by Thomas W. Gaehtgens and Heinz Ickstadt
Fall 1992 |
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Art in History/History in Art: Studies in Seventeenth-Century Dutch Culture
Edited by David Freedberg and Jan de Vries
Spring 1992 |
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The Genius of Architecture; or, The Analogy of That Art with Our Sensations
Nicolas Le Camus de Mézières
Translation by David Britt Spring 1992 |
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In What Style Should We Build? The German Debate on Architectural Style
Carl Gottlieb Wilhelm Bötticher, Heinrich Hübsch, Carl Albert Rosenthal, Rudolf Wiegmann, and Johann Heinrich Wolff
Translation by Wolfgang Herrmann Spring 1992 |
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Looking for a City in America: |
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Collections of Paintings in Naples, 1600–1780
Gérard Labrot with Antonio Delfino
Fall 1992 |
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Modern Architecture: A Guidebook for His Students to This Field of Art
Otto Wagner
Translation by Harry Francis Mallgrave Fall 1988 |
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RES–A Journal of Anthropology and Aesthetics
Project Scholar Francesco Pellizzi
Published by the Getty Research Institute for the History of Art and the Humanities © J. Paul Getty Trust and the President and Fellows of Harvard College Distributed by the Cambridge University Press, New York Copublication agreement dissolved March 1996 RES 19/20, December 1991 RES 21, June 1992 RES 22, December 1992 RES 23, May 1993 RES 24, September 1993 RES 25, June 1994 RES 26, December 1994 RES 27, June 1995 RES 28, March 1996 Link to JSTOR (subscription required) |
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