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April 29, 2006 |
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Lectures and Conferences |
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Aesthetics of Risk - SoCCAS conference
Saturday April 29, 2006
10 am
Harold M. Williams Auditorium, Getty Center
The Getty Research Institute and the Southern California Consortium of Art Schools (SoCCAS) collaborate to program the third annual SoCCAS symposium, "The Aesthetics of Risk." This conference includes lectures, dialogues, and panel discussions analyzing the ways in which art practice in the modern and recent periods have engaged with notions of "risk," whether bodily, social/political, or aesthetic.
A lively and informed group of scholars, artists, and curators present on a wide array of topics, including critical and curatorial risk, bodily risk in performance art, "risk" as an aesthetic concept in traditional media such as painting, and manifestations of risk in current artistic practice.
Participants include Jane Blocker, associate professor at the University of Minnesota; Douglas Crimp, professor at the University of Rochester; Rachel Greene, independent curator; Richard Shiff, professor at the University of Texas at Austin; Kristine Stiles, professor at Duke University; and Catherine Opie, Brock Enright, Paul McCarthy, and Steve Kurtz, artists.
This event is free and no reservations are required.
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Performances and Films |
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Aesthetics of Risk Concert: Future Pigeon and The Red Krayola
Saturday April 29, 2006
6 pm
Museum Courtyard, Getty Center
An evening of alternative music kicks off at 6:00 p.m. with Eddie Ruscha as DJ Dungeonmaster, followed by Los Angeles band Future Pigeon performing at 7:00 p.m. This eight-piece outfit, named "best instrumental band" at the LA Weekly Music Awards, draws on reggae, psychedelic rock, and Afro-beat.The Red Krayola, one of the longest surviving underground bands, takes the stage at 8:00 p.m.
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Family Activities |
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Family Art Stops
Weekends through May 21, 2006
2 pm, 2:30 pm
Museum Galleries, Getty Center
Get up close and personal with a single work of art at this half-hour, hands-on gallery experience geared for families with children ages 5 and up. The 2:30 p.m. session is also offered in Spanish. Sign up at the Museum Information Desk beginning 30-minutes prior to the start of the program.
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Tours and Gallery Talks |
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Architecture Tour
Daily through May 25, 2006
10:15 am, 11 am, 1 pm, 2 pm, 3 pm
Museum Entrance Hall, Getty Center
This is a 45-minute tour of the architecture and Richard Meier's design of the Getty Center. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
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Collection Highlights Tour
Daily through May 25, 2006
11 am
Museum Galleries, Getty Center
This one-hour tour provides an overview of major works from the Museum's collection. Offered in English and Spanish on weekends. Meet at the Information Desk in the Museum Entrance Hall.
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Garden Tour
Daily through June 30, 2007
11:30 am, 12:30 pm, 2:30 pm, 3:30 pm
Central Garden, Getty Center
This is a 45-minute tour of the Getty gardens, including Robert Irwin's Central Garden. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
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Courbet and the Modern Landscape Exhibition Tour
Daily through May 14, 2006
1:30 pm
Exhibitions Pavilion, Getty Center
A special one-hour exhibition overview of Courbet and the Modern Landscape. Meet at the Information Desk in the Museum Entrance Hall.
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Focus Tour: Looking Toward Modern Art
Saturdays through June 30, 2007
3 pm
Museum Galleries, Getty Center
Enjoy a one-hour tour that focuses on the origins of modern art in the late 1800s and explores how artists rejected traditional rules of representation to develop new forms of art. Meet at the Museum Information Desk.
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Masterpiece of the Week Talk
Daily through April 30, 2006
4 pm
Museum Galleries, Getty Center
This 15-minute gallery talk offers an in-depth look at one object. This week the featured work of art is Miss Lala at the Fernando Circus by Edgar Degas. Meet at the Information Desk in the Museum Entrance Hall.
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Current Exhibitions |
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Robert Adams: Landscapes of Harmony and Dissonance
Daily through May 28, 2006
West Pavilion, Plaza Level, Getty Center
Robert Adams (American, born 1937) has photographed the landscape of the American West for more than forty years, particularly in California, Colorado and Oregon. His vision is inspired on the one hand by his joy in its inherent natural beauty and on the other hand by his dismay at its exploitation and degradation. Adams uses photography to express his love for the landscape and to understand how urban and industrial growth have changed it, all the while insisting that beauty in the world has not been entirely eclipsed. He observes with unblinking but tender simplicity the whole geography, including recent development, and asks us through his photographs to consider where we live and how we relate to our environment. This exhibition features 68 photographs drawn from the Getty Museum's strong holding of more than one hundred prints by Adams, augmented by loans from other sources.
 Learn more about this exhibition
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Courbet and the Modern Landscape
Daily through May 14, 2006
Exhibitions Pavilion, Getty Center
This exhibition brings together 47 landscape paintings by Gustave Courbet (1819–1877) to focus for the first time on his extraordinary innovation in this genre. Courbet's landscapes of the 1860s forced a break from the tradition of viewing painting as an experience of reading and interpreting to that of witnessing an original, vital performance-in-paint. His landscape planted the seeds of modernist painting and defined artistic issues that would concern the Impressionists, changing the course of painting for the next 100 years. The exhibition has been organized by the J. Paul Getty Museum, the Museum of Fine Arts, Houston, and the Walters Art Museum, and is supported by an indemnity from the Federal Council on the Arts and the Humanities.
Learn more about this exhibition
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A Renaissance Cabinet Rediscovered
Daily through December 28, 2008
South Pavilion, Plaza Level, Getty Center
This exhibition traces the study of one Getty object to determine its date and place of manufacture. The cabinet, acquired in 1971, had since the 1980s been believed to be a pastiche if not an outright fake. However, documentary research and technical analysis undertaken by experts at the Getty revealed that the cabinet, rather than being a compromised object, is one of the most important pieces of French Renaissance furniture in the United States. This case study of the research into the authenticity of the cabinet presents the results of scientific and visual analyses of the object, studies of related materials, archival research, and other evidence. It is a story of how new information, careful research, and evolving analytic processes can alter our understanding of the art of the past.
Learn more about this exhibition
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Agitated Images: John Heartfield and German Photomontage, 1920-1938
Daily through June 25, 2006
Research Institute Exhibition Gallery, Getty Center
Drawing exclusively from the special collections of the Research Library at the Getty Research Institute, this exhibition concentrates on the diverse output of art history's most significant photomontage artist, the German originally named Helmut Herzfeld. Focusing on his success at creating a politically engaged visual rhetoric, the exhibition includes examples of German and American periodicals in which John Heartfield published his work, and shows how he transformed a procedure that once lay in the domain of advertising and avant-garde art into a broadly significant mode of mass communication. This exhibition concentrates on the interwar world of publishing in which Heartfield's images appeared, illustrated through examples of original press photographs from the Research Library's Stefan Lorant collection and correspondence such as that between Heartfield's widow and the renowned typographer Jan Tschichold.
Learn more about this exhibition
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Degas at the Getty
Daily through June 11, 2006
North Pavilion, Plaza Level, Getty Center
Edgar Degas (French, 1834–1917) is at once the most traditional and the most modern of 19th-century artists. Academically trained and steeped in the history of art, Degas used his immersion in work of past masters to bring an intellectual and formal rigor to the novel subjects of contemporary life, such as dancers and shop girls, with which he has become synonymous. Degas also pushed the boundaries of traditional subjects such as portraits and bathers, using the human form and face to present unusual viewpoints and penetrating psychology. On the occasion of the Getty Museum's recent acquisitions of the pastel drawing Miss Lala at the Fernando Circus and the painting The Milliners, this exhibition brings together works by this seminal artist from across the Museum's paintings, drawings and photographs collections. From the youthful Self-portrait to the late painting After the Bath, the Getty's collections span Degas's career, and the exhibition highlights three of his key subjects: portraits, popular entertainments and social life, and bathers.
Learn more about this exhibition
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Carmontelle's Transparency: An 18th-Century Motion Picture
Daily through June 18, 2006
East Pavilion, Plaza Level, Getty Center
Invented by Louis Carrogis, known as Carmontelle (French, 1717-1806), the transparency, a transparent drawing that was rolled through a back-lit viewing box, was a forerunner of the modern motion picture. The Getty Museum's 12-foot-long transparency, Figures Walking in a Parkland, is the focus of this exhibition, and will be displayed with a facsimile of the transparency in a viewing box. Eighteenth-century drawings from the Museum's collection will also be on view to complement Carmontelle's invention.
Learn more about this exhibition
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Classical Connections: The Enduring Influence of Greek and Roman Art
Daily through December 31, 2006
North Pavilion, Plaza Level, Getty Center
This installation of antiquities demonstrates the relationship of ancient art to later work, showing some of the themes, techniques, and motifs borrowed by later artists—from mythology to decorative design—and the approach to the human figure known today as the classical ideal. This permanent collection installation is on view in the North Pavilion.
Learn more about this exhibition
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The Cult of Saints
Daily through July 16, 2006
North Pavilion, Plaza Level, Getty Center
Devotion to saints was a central component of the spiritual and cultural life of the Middle Ages and Renaissance and a central element in Roman Catholic spiritual practice. That devotion continued into the modern period and still has an impact today. This exhibition offers an overview of the pervasive role of the Cult of the Saints in medieval and Renaissance society through images created in its service.
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April 29, 2006 |
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Tickets on the Web are sold out for this day. Try calling (310) 440-7300.
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Family Activities |
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Art Odyssey for Families
Weekends through June 30, 2007
2 pm
Museum Galleries, Getty Villa
This 45-minute journey through the galleries features a fun, activity-filled visit for children (ages 5 and up) and adults to enjoy together. Space is limited. Sign up at the Tour Meeting Place beginning at 1:30 p.m. Ofrecida igualmente en español.
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Tours and Gallery Talks |
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Orientation Tour
Daily through June 30, 2007
10:30 am, 12:30 pm, 2:30 pm
Getty Villa
This 45-minute site tour offers an overview of the Getty Villa, its history, renovation, and new educational mission. Meet at the Tour Meeting Place outside the Museum Main Entrance.
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Collection Highlights Tour
Weekends through June 30, 2007
11 am
Museum Galleries, Getty Villa
This one-hour tour provides an overview of major works from the Museum's collection. Ofrecida en español. Meet at the Tour Meeting Place outside the Museum Main Entrance.
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Getty Villa Architecture and Gardens Tour
Daily through June 30, 2007
11:30 am, 1:30 pm, 3:30 pm
Museum, Getty Villa
This 45-minute tour explores the architecture and gardens of the Getty Villa and their historical prototypes. Meet at the Tour Meeting Place outside the Museum Main Entrance.
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Spotlight Talk: Poet as Orpheus with Two Sirens
Weekends through April 30, 2006
1:30 pm
Museum Galleries, Getty Villa
This 20-minute gallery talk introduces ways of looking at ancient art through an in-depth exploration of one object in the collection. This month the featured work of art is Poet as Orpheus with Two Sirens, a 4th-century B.C. Greek terracotta sculptural group. Space is limited. Sign up at the Tour Meeting Place outside the Museum Main Entrance beginning at 1:00 p.m.
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Focus Tour: Music and the Oral Tradition in Antiquity
Saturday April 29, 2006
3 pm
Museum Galleries, Getty Villa
This one-hour tour explores the ancient tradition of communicating stories through music and poetry. Discover the rich tradition and importance of the poet in ancient cultures. Space is limited. Sign up at the Tour Meeting Place outside the Museum Main Entrance beginning at 2:30 p.m.
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Current Exhibitions |
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The Getty Villa Reimagined
Daily through May 8, 2006
Museum, Floor 2, Getty Villa
This exhibition traces the renovation of the Getty Villa from the selection of architects Machado and Silvetti Associates through the master planning and realization of the project. Installed to look like an architect's studio, the display includes design competition sketchbooks, models and drawings, videos, and photographs.
Learn more about this exhibition
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Antiquity & Photography: Early Views of Ancient Mediterranean Sites
Daily through May 1, 2006
Museum, Floor 2, Getty Villa
The Getty Villa's multidisciplinary approach to studying the ancient world is reflected in this exhibition, which examines how early photographs influenced and transformed thinking about antiquity. On view are over 100 images created between the 1840s and 1870s of celebrated ancient sites in Italy, Greece, Asia Minor, and Egypt.
Learn more about this exhibition
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Molten Color: Glassmaking in Antiquity
Daily through July 24, 2006
Museum, Floor 2, Getty Villa
This exhibition celebrates the acquisition of the Oppenländer collection of ancient glass, and will be among the first exhibitions to mark the opening of the Getty Villa. The Oppenländer collection is remarkable for its high quality and its chronological breadth, covering all periods of ancient glass production. The objects are arranged by their method of manufacture, from casting and core-forming to inflation, and in-gallery videos will illustrate ancient glassmaking techniques.
Learn more about this exhibition
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