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August 13, 2006 |
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Lectures and Conferences |
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Making Art Together
Sunday August 13, 2006
4 pm - 5 pm
Harold M. Williams Auditorium, Getty Center
Wayne Healy and David Botello, who as the "East Los Streetscapers" create murals in Los Angeles, discuss their lifelong collaboration and give an intimate view of how two painters can work together. Complements the exhibition Rubens and Brueghel: A Working Friendship.
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Family Activities |
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Family Creation Station
Thursdays - Sundays through September 3, 2006
11 am - 3:30 pm
Family Room Patio, Getty Center
Join your children in an outdoor, drop-in workshop designed to exercise the imagination. Create your own masterpiece, and don't miss seeing others in the galleries. Offered in English and Spanish.
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Art Adventures for Families
Weekends through September 3, 2006
2 pm
Museum Galleries, Getty Center
Our one-hour tours for children (ages 5 and up) and adults to enjoy together feature a fun, activity-filled visit to the galleries. Offered in English and Spanish. Sign-up begins at 1:30 p.m. at the Museum Information Desk.
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Trout Fishing in America (Garden Concert for Kids)
Sunday August 13, 2006
4 pm - 6 pm
Central Garden, Getty Center
Keith Grimwood and Ezra Idlet are back by popular demand with their signature brand of original and intelligent folk music for kids. Their 2005 Grammy nomination confirms what their loyal fans have known for nearly 30 years—these guys are the best.
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Tours and Gallery Talks |
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Architecture Tour
Sundays through September 3, 2006
10:15 am, 11 am, 1 pm, 2 pm, 3 pm
Museum Entrance Hall, Getty Center
This is a 45-minute tour of the architecture and Richard Meier's design of the Getty Center. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
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Collection Highlights Tour
Sundays through September 3, 2006
11 am
Museum Galleries, Getty Center
This one-hour tour provides an overview of major works from the Museum's collection. Also offered in Spanish at 11:00 a.m. on the weekends. Meet at the Information Desk in the Museum Entrance Hall.
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Community Group Site Tours
Fridays - Sundays through September 3, 2006
11 am
Museum Entrance Hall, Getty Center
This is a special 45-minute tour of the architecture and gardens of the Getty Center offered to community groups and families. Meet the docent outside at the top of the stairs near the front entrance of the Museum.
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Garden Tour
Daily through June 30, 2007
11:30 am, 12:30 pm, 2:30 pm, 3:30 pm
Central Garden, Getty Center
This is a 45-minute tour of the Getty gardens, including Robert Irwin's Central Garden. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
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Rubens and Brueghel Exhibition Tour
Daily through September 24, 2006
1:30 pm
Exhibitions Pavilion, Getty Center
A special one-hour exhibition overview of Rubens and Brueghel: A Working Friendship. Meet at the Museum Information Desk.
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Focus Tour: Renaissance Art
Sundays through July 1, 2007
3 pm
Museum Galleries, Getty Center
Enjoy a one-hour tour looking at European art made in the 1400s and 1500s, when artists began focusing on the individual and renewed their interest in the ancient world. Meet at the Museum Information Desk.
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Exhibitions |
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Eliot Porter: In the Realm of Nature
Daily through September 17, 2006
West Pavilion, Plaza Level, Getty Center
Eliot Porter (American, 1901–1990) is known for his detailed and exquisite photographs of birds and landscapes. Porter promoted the use of color materials at a time when most serious photographers worked in black-and-white. An artist of uncommon perception, his artistic and technical contributions to bird and landscape photography transformed these genres. This exhibition includes a selection of Porter's early black-and-white landscape photographs, later color landscapes, and bird photographs made over the course of his career.
Learn more about this exhibition
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Rubens and Brueghel: A Working Friendship
Daily through September 24, 2006
Exhibitions Pavilion, Getty Center
Between about 1598 and 1625, Antwerp's most eminent painters, Peter Paul Rubens and Jan Brueghel the Elder, jointly produced sophisticated, beautiful works that transformed the Flemish tradition of painting. Exploring their long, close friendship and fruitful partnership, this exhibition assembles—for the first time—more than a dozen of their collaborations together with important coproductions made with their Flemish contemporaries. The exhibition draws on the expertise of paintings conservators whose technical examination of the Getty Museum's painting Return from War: Mars Disarmed by Venus, among other works, has unearthed new information regarding this illustrious artistic partnership. Co-organized by the Getty Museum and the Royal Picture Gallery Mauritshuis, The Hague, the exhibition travels to the Mauritshuis after its showing at the Getty.
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Rubens and His Printmakers
Daily through September 24, 2006
East Pavilion, Plaza Level, Getty Center
Peter Paul Rubens employed a small army of artists to make prints after his most successful paintings, drawings, and tapestry designs, thus increasing his fame throughout Europe. This exhibition explores the close working relationship between Rubens and his printmakers, elucidating a fascinating aspect of artistic collaboration. Not satisfied with making mere reproductions of his pictures, Rubens encouraged his artists to modify his compositions, which he also often reworked. In attempting to meet Rubens' strict demands, his printmakers contributed significantly to the development of Western printmaking techniques. The display's key theme of collaboration offers a supporting dialogue to the exhibition Rubens and Brueghel: A Working Friendship.
Learn more about this exhibition
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A Renaissance Cabinet Rediscovered
Daily through December 28, 2008
South Pavilion, Plaza Level, Getty Center
This exhibition traces the study of one Getty object to determine its date and place of manufacture. The cabinet, acquired in 1971, had since the 1980s been believed to be a pastiche if not an outright fake. However, documentary research and technical analysis undertaken by experts at the Getty revealed that the cabinet, rather than being a compromised object, is one of the most important pieces of French Renaissance furniture in the United States. This case study of the research into the authenticity of the cabinet presents the results of scientific and visual analyses of the object, studies of related materials, archival research, and other evidence. It is a story of how new information, careful research, and evolving analytic processes can alter our understanding of the art of the past.
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Classical Connections: The Enduring Influence of Greek and Roman Art
Daily through December 31, 2008
North Pavilion, Plaza Level, Getty Center
This installation of antiquities demonstrates the relationship of ancient art to later work, showing some of the themes, techniques, and motifs borrowed by later artists—from mythology to decorative design—and the approach to the human figure known today as the classical ideal. This permanent collection installation is on view in the North Pavilion.
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Casting Nature: François-Thomas Germain's Machine d'Argent
Daily through March 25, 2007
North Pavilion, Plaza Level, Getty Center
This exhibition highlights the recent acquisition of a unique silver sculpture, La Machine d'Argent (1754), made by the French royal silversmith François-Thomas Germain (1726–1791). In the tradition of trophies of the hunt, the piece represents an assemblage of two game birds, a rabbit, and vegetables. The exhibition places the significance, beauty, and naturalistic virtuosity of La Machine d'Argent within the context of French mid-18th-century art, as illustrated through select loans of paintings and prints along with other works in silver and gilt bronze in the Getty Museum's collection.
Learn more about this exhibition
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Landscape in the Renaissance
Daily through October 15, 2006
North Pavilion, Plaza Level, Getty Center
The Renaissance witnessed a renewed awareness of the visible world and a pressing need to describe natural phenomena—rain, atmosphere, and the play of light—faithfully and with conviction. This exhibition explores the rapid and exciting development of landscape settings in art of the Renaissance, especially through examples in the Getty Museum's collection of illuminated manuscripts.
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A Tumultuous Assembly: Visual Poems of the Italian Futurists
Daily through January 7, 2007
Research Institute Exhibition Gallery, Getty Center
In a manifesto of 1912, the Italian Futurists advocated the destruction of poetic convention and linguistic logic in the creation of a new literary genre that was both visual and verbal: the parole in libertà (words-in-freedom). These visual poems deployed explosive language, inventive typography, and unorthodox design to evoke the modern experience of speeding trains, airplanes, factories, bombs, and the urban cafe. This exhibition of manuscripts, drawings, rare books, and journals from the special collections of the Research Library at the Getty Research Institute features various experiments in the genre, including BIF&ZF+18 by Ardengno Soffici, "Fabbrica + Treno" by Angelo Rognoni, and Zang Tumb Tumb by F.T. Marinetti, leader of the Italian Futurist movement. The poems range in theme from the battlefields of World War I to the everyday life of the Futurist artist-poet and are analyzed in terms of their political context and technical characteristics.
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August 13, 2006 |
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Tickets on the Web for this day are not yet available. Try calling (310) 440-7300.
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Family Activities |
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ArtQuest
Weekends through August 27, 2006
11 am - 4 pm
Outer Peristyle, Getty Villa
Explore works of ancient art in the galleries, then create your own artwork in this outdoor, drop-in workshop for families.
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Art Odyssey for Families
Weekends through June 30, 2007
2 pm
Museum Galleries, Getty Villa
This 45-minute journey through the galleries features a fun, activity-filled visit for children (ages 5 and up) and adults to enjoy together. Space is limited. Sign up at the Tour Meeting Place beginning at 1:30 p.m. Ofrecida igualmente en español.
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Tours and Gallery Talks |
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Orientation Tour
Daily through June 30, 2007
10:30 am, 12:30 pm, 2:30 pm
Getty Villa
This 45-minute site tour offers an overview of the Getty Villa, its history, renovation, and new educational mission. Meet at the Tour Meeting Place outside the Museum Main Entrance.
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Collection Highlights Tour
Weekends through June 30, 2007
11 am
Museum Galleries, Getty Villa
This one-hour tour provides an overview of major works from the Museum's collection. Ofrecida en español. Meet at the Tour Meeting Place outside the Museum Main Entrance.
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Getty Villa Architecture and Gardens Tour
Daily through June 30, 2007
11:30 am, 1:30 pm, 3:30 pm
Museum, Getty Villa
This 45-minute tour explores the architecture and gardens of the Getty Villa and their historical prototypes. Meet at the Tour Meeting Place outside the Museum Main Entrance.
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Spotlight Talk: Storage Jar with the Judgement of Paris
Weekends through August 27, 2006
1:30 pm
Museum Galleries, Getty Villa
This 20-minute gallery talk introduces ways of looking at ancient art through an in-depth exploration of one object in the collection. This month the featured object is the Storage Jar with the Judgement of Paris, a 4th-century B.C. Kerch-style vase. Space is limited. Sign up at the Tour Meeting Place outside the Museum Main Entrance beginning at 1:00 p.m.
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Focus Tour: Music and the Oral Tradition in Antiquity
Sunday August 13, 2006
3 pm
Museum Galleries, Getty Villa
This one-hour tour explores the ancient tradition of communicating stories through music and poetry. Discover the rich tradition and importance of the poet in ancient cultures. Space is limited. Sign up at the Tour Meeting Place outside the Museum Main Entrance beginning at 2:30 p.m.
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Exhibitions |
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The Colors of Clay: Special Techniques in Athenian Vases
Daily through September 4, 2006
Museum, Floor 2, Getty Villa
This major loan exhibition at the Getty Villa brings together approximately 100 vases produced in Athens during the Archaic and Classical periods, exemplifying the use of special decorative techniques, a subject never before examined as a whole. It includes extraordinary painted pottery produced with familiar red-figure and black-figure decorations, as well as ceramics made with an array of other, often experimental techniques. These include outline drawing; the use of a lustrous coral-red gloss; polychromy; gilding; and vases made from molds or with molded elements. Displaying a combination of techniques and representing objects of the highest level of skill, inventiveness, and artistry, the exhibition provides visitors with an understanding of the range and variety of Greek vases. The exhibition includes analytical and technical information on the processes used by ancient potters and vase-painters, and is accompanied by a catalogue.
Learn more about this exhibition
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