|
|
 |
 |
|
|
January 21, 2006 |
|
|
|
Lectures and Conferences |
|
|
Silvia Kolbowski Speaks with Thomas Crow and Mignon Nixon
Saturday January 21, 2006
5 pm
Museum Lecture Hall, Getty Center
Silvia Kolbowski's work encompasses the ethics and politics of history, culture, and the unconscious. She addresses these themes and phenomena through video, photography, reenactments of altered interview situations, and directed discussions. Kolbowski speaks with Getty Research Institute director Thomas Crow and art historian Mignon Nixon about her work, the relationship of art history to contemporary art, and how she interprets "Art History and the Unseen," the theme of the 2006 collaborative workshop organized by the Clark Art Institute and the Getty Research Institute.
Silvia Kolbowski's work has been exhibited at many galleries, museums, and international exhibitions. She is on the advisory board of October and currently teaches at the Cooper Union.
Mignon Nixon is senior lecturer in art history at the Courtauld Institute of Art, an editor of October, and the author of several articles on the work of Silvia Kolbowski.
Thomas Crow is director of the Getty Research Institute, professor of art history at the University of Southern California, and author of numerous books and articles on modern art.
|
|
|
|
Performances and Films |
|
|
The Hilliard Ensemble (Gordon Getty Concert)
Saturday January 21, 2006
8 pm
Harold M. Williams Auditorium, Getty Center
One of the world's foremost vocal chamber groups, the Hilliard Ensemble engages the listener in a ravishing program of Renaissance songs and madrigals from Alfonso d'Avalos' time. Complements the exhibition Titian and the Commander: A Renaissance Artist and His Patron. Tickets $20; $15 students/seniors.
 Learn more about this event
|
|
|
|
Family Activities |
|
|
Art Adventures for Families
Weekends through February 26, 2006
2 pm
Museum Galleries, Getty Center
Our one-hour tours for children (ages 5 and up) and adults to enjoy together feature a fun, activity-filled visit to the galleries. Offered in English and Spanish. Sign-up begins at 1:30 p.m. at the Museum Information Desk.
|
|
|
|
Tours and Gallery Talks |
|
|
Architecture Tour
Daily through March 26, 2006
10:15 am, 11 am, 1 pm, 2 pm, 3 pm
Museum Entrance Hall, Getty Center
This is a 45-minute tour of the architecture and Richard Meier's design of the Getty Center. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
|
|
|
|
|
|
|
Collection Highlights Tour
Daily through March 26, 2006
11 am
Museum Galleries, Getty Center
This one-hour tour provides an overview of major works from the Museum's collection. Offered in English and Spanish on weekends. Meet at the Information Desk in the Museum Entrance Hall.
|
|
|
|
|
|
|
Garden Tour
Daily through June 30, 2007
11:30 am, 12:30 pm, 2:30 pm, 3:30 pm
Central Garden, Getty Center
This is a 45-minute tour of the Getty gardens, including Robert Irwin's Central Garden. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
|
|
|
|
|
|
|
Exhibition Tour
Daily through February 5, 2006
1:30 pm
Museum Galleries, Getty Center
A special one-hour exhibition overview of Titian and the Commander: A Renaissance Artist and His Patron. Meet at the Information Desk in the Museum Entrance Hall.
|
|
|
|
|
|
|
Focus Tour: Looking Toward Modern Art
Saturdays through September 2, 2006
3 pm
Museum Galleries, Getty Center
Seeds of modern art are foreshadowed in photography, painting, sculpture, and drawing made in the late 19th century. Join a one-hour gallery tour focusing on the origins of modernism within the collection and throughout the Getty Center grounds. Meet at the Information Desk in the Museum Entrance Hall.
|
|
|
|
|
|
|
Masterpiece of the Week Talk
Daily through January 22, 2006
4 pm
Museum Galleries, Getty Center
This 15-minute gallery talk offers an in-depth look at one object. This week the featured work of art is Compound Microscope and Case, attributed to Jacques Caffieri. Meet at the Information Desk in the Museum Entrance Hall.
|
|
|
|
Current Exhibitions |
|
|
Scene of the Crime: Photo by Weegee
Daily through January 22, 2006
West Pavilion, Plaza Level, Getty Center
Comprising approximately seventy photographs from the Getty Museum's permanent collection, this exhibition surveys the news photography of Arthur Fellig (American, born Austria, 1899–1968), who became known in the 1930s as Weegee the Famous. Weegee (after the Ouija board game) seemed to materialize wherever news was happening, covering all aspects of Manhattan nightlife and vividly documenting the police beat. Spanning two decades of Weegee's freelance career, the exhibition is introduced with pictures by pioneering Los Angeles news photographer George Watson and his nephew Coy Watson, Jr.
Learn more about this exhibition
|
|
|
|
|
|
|
Pictures for the Press
Daily through January 22, 2006
West Pavilion, Plaza Level, Getty Center
Focusing on pictures made to document newsworthy events from the 1940s to the 1970s, this exhibition presents images of war, politics, and civil rights by well-known press photographers like Larry Burrows, Robert Capa, and W. Eugene Smith as well as lesser-known and, in some cases, unidentified makers. The show includes iconic images of the atomic explosion over Nagasaki, the D-Day invasion of Omaha Beach during World War II, the assassinations of President John F. Kennedy and Lee Harvey Oswald, civil rights demonstrations in Birmingham, Alabama, and the evacuation of Saigon.
Learn more about this exhibition
|
|
|
|
|
|
|
Titian and the Commander: A Renaissance Artist and His Patron
Daily through February 5, 2006
North Pavilion, Plaza Level, Getty Center
This focus exhibition features the Getty's recently acquired painting by Titian (Italian, about 1487–1576), Portrait of Alfonso d'Avalos, Marquis of Vasto, in Armor with a Page. Titian dominated Venetian painting during the years of its greatest achievement and, along with Raphael, set the standard for European court portraiture. The Getty's Portrait of Alfonso d'Avalos, painted in 1533, is one of Titian's most influential portraits. The exhibition presents a close look at this exceptional work and includes Titian's Penitent Magdalene, also from the Getty's collection, as well as an historical portrait by Titian of the same sitter, The Allocution of Alfonso d'Avalos, on loan for the first time in the United States from the Museo del Prado in Madrid. In addition, the exhibition includes several contemporary illustrated books drawn from the Getty Research Institute's vast collections.
Learn more about this exhibition
|
|
|
|
|
|
|
A Renaissance Cabinet Rediscovered
Daily through December 28, 2008
South Pavilion, Plaza Level, Getty Center
This exhibition traces the study of one Getty object to determine its date and place of manufacture. The cabinet, acquired in 1971, had since the 1980s been believed to be a pastiche if not an outright fake. However, documentary research and technical analysis undertaken by experts at the Getty revealed that the cabinet, rather than being a compromised object, is one of the most important pieces of French Renaissance furniture in the United States. This case study of the research into the authenticity of the cabinet presents the results of scientific and visual analyses of the object, studies of related materials, archival research, and other evidence. It is a story of how new information, careful research, and evolving analytic processes can alter our understanding of the art of the past.
Learn more about this exhibition
|
|
|
|
|
|
|
Drawings from Leonardo to Titian: A North Italian Itinerary
Daily through February 26, 2006
East Pavilion, Plaza Level, Getty Center
This exhibition introduces the extraordinary stylistic range and draftsmanship of artists across northern Italy in the sixteenth century, from Leonardo da Vinci in Milan to Titian in Venice. It examines different approaches to drawing and how artists influenced each other. The exhibition presents works from the Getty Museum's collection as an itinerary across northern Italy, focusing on the artistic centers of Lombardy (Milan, Cremona, and Mantua), Emilia-Romagna (Parma and Bologna), and the Veneto (Verona and Venice).
Learn more about this exhibition
|
|
|
|
|
|
|
Classical Connections: The Enduring Influence of Greek and Roman Art
Daily through December 31, 2006
North Pavilion, Plaza Level, Getty Center
This installation of antiquities demonstrates the relationship of ancient art to later work, showing some of the themes, techniques, and motifs borrowed by later artists—from mythology to decorative design—and the approach to the human figure known today as the classical ideal. This permanent collection installation is on view in the North Pavilion.
Learn more about this exhibition
|
|
|
|
|
|
|
 |
|
|
January 21, 2006 |
|
|
|
The Getty Villa will open on January 28, 2006.
|
|
|
|
