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ID: 300018989
Page Link: http://vocab.getty.edu/page/aat/300018989

 

Record Type: concept
Oudh (Indian painting styles, Indian (South Asian), ... Styles and Periods (hierarchy name))

 

Note: Refers generally to paintings in the former Mughal style created in the eighteenth and nineteenth centuries in Lucknow in the Oudh region of India. After the Mughal empire collapsed in the late seventeenth and early eighteenth centuries, a shadow of the imperial painting style was kept going by copying older paintings, usually by refugee artists who fled the sacks of Dehli. The paintings produced here show a fusion of Mughal and Rajput themes and styles. Other sites where refugee painters worked were Patna, Fyzabad, and Murshidabad; in all of these places, a Western influence crept into some of the paintings as the British became patrons. Company style painting flourished here as well in the eighteenth and nineteenth centuries; Lucknow artists produced paintings of a wide range of subject matter, including panoramas which reflected the contemporary vogue for such works in England.
 
Terms:
Oudh (preferred,C,U,English-P,D,U,A)
Oudh (Spanish-P,D,U,U)
Oudh (Dutch-P,D,U,U)
Lucknow (C,U,English,UF,U,U)
奧德 (C,U,Chinese (traditional)-P,D,U,U)
阿約提亞 (C,U,Chinese (traditional),UF,U,U)
阿瓦德 (C,U,Chinese (traditional),UF,U,U)
ào dé (C,U,Chinese (transliterated Hanyu Pinyin)-P,UF,U,U)
ao de (C,U,Chinese (transliterated Pinyin without tones)-P,UF,U,U)
ao te (C,U,Chinese (transliterated Wade-Giles)-P,UF,U,U)

Facet/Hierarchy Code:  F.FL

Hierarchical Position:

Hierarchy of Styles and Periods Facet
Styles and Periods Facet
Hierarchy of Styles and Periods (hierarchy name)
.... Styles and Periods (hierarchy name) (G)
Hierarchy of <styles, periods, and cultures by region>
........ <styles, periods, and cultures by region> (G)
Hierarchy of Asian
............ Asian (G)
Hierarchy of South Asian
................ South Asian (G)
Hierarchy of Indian (South Asian)
.................... Indian (South Asian) (G)
Hierarchy of Indian painting styles
........................ Indian painting styles (G)
Hierarchy of Oudh
............................ Oudh (G)

Additional Notes:
Chinese (traditional) ..... 指印度奧德地區的勒克瑙於西元十八與十九世紀前後形成的前蒙兀兒風格繪畫。在兀兒帝國於西元十七世紀晚期與十八世紀早期間滅亡後,王室畫風的遺韻仍藉著藝術家對於早期繪畫的模仿而保存下來,製畫者通常是由德里大劫掠逃出的難民畫家。這裡繪製的畫作融合了蒙兀兒與拉其普特的主題與風格。難民畫家製畫的地方還有:巴特那、發薩巴特、穆西達巴達;在英國人成為贊助者後,這些地方的某些繪畫受到了西方的影響。十八世紀與十九世紀時,東印度公司風畫也在這裡流行起來。勒克瑙畫家繪製了主題廣泛的畫作,包括全景畫。全景畫反映了當代英國的流行畫作。 
Dutch ..... Verwijst in algemene zin naar schilderijen in de voormalige Mogolstijl die in de 18de en 19de eeuw zijn vervaardigd in Lucknow, in de Indiase regio Oudh. Na de ineenstorting van het Mogolrijk, aan het eind van de 17de en het begin van de 18de eeuw, leefde de schilderstijl van de Mogols nog enigszins voort in de kopieën van oudere schilderijen die werden vervaardigd, meestal door gevluchte kunstenaars uit het geplunderde Delhi. De hier vervaardigde schilderijen laten een versmelting zien van de thema's en stijlen van de Mogols met die van Rajput. Andere locaties waar gevluchte schilders werkten waren Patna, Fyzabad en Murshidabad; dat de aldaar geproduceerde schilderkunst een zekere westerse invloed verraadde, hing samen met het feit dat de opdrachtgevers nu Brits waren. In de 18de en 19de eeuw maakte ook de schilderkunst in de Companystijl hier een bloeiperiode door; de kunstenaars in Lucknow maakten schilderijen met tal van verschillende thema's, waaronder panorama's, als afspiegeling van het feit dat dergelijke werken destijds populair waren in Engeland. 
Spanish ..... Se refiere generalmente a las pinturas en el antiguo estilo Mughal creadas en los siglos XVIII y XIX en Lucknow en la región de Oudh de India. Después de que el imperio Mughal se derrumbó a fines de los siglos XVII y principios del XVII, una sombra del estilo de pintura imperial se siguió traspasando copiando pinturas antiguas, normalmente por artistas refugiados que huyeron de los saqueos de Dehli. Las pinturas producidas aquí muestran una fusión de temas y estilos Mughal y Rajput. Otros sitios donde trabajaron pintores refugiados fueron Patna, Fyzabad, y Murshidabad; en todos estos lugares, una influencia Occidental se introdujo lentamente en algunas de las pinturas cuando los británicos se volvieron clientes habituales. El estilo de pintura Compañía floreció aquí también en los siglos XVIII y XIX. Artistas de Lucknow produjeron pinturas en una amplia gama de temas, incluso panoramas que reflejaron la moda contemporánea por tales obras en Inglaterra. 

Sources and Contributors:
奧德............  [AS-Academia Sinica Preferred]
...........  大英百科全書線上繁體中文版 July 20, 2012
...........  智慧藏百科全書網 July 20, 2012
阿約提亞............  [AS-Academia Sinica]
...........  大英百科全書線上繁體中文版 July 20, 2012
阿瓦德............  [AS-Academia Sinica]
...........  大英百科全書線上繁體中文版 July 20, 2012
ao de............  [AS-Academia Sinica]
..............  AS-Academia Sinica data (2014-)
ào dé............  [AS-Academia Sinica]
..............  AS-Academia Sinica data (2014-)
ao te............  [AS-Academia Sinica]
..............  AS-Academia Sinica data (2014-)
Lucknow............  [VP]
.................  Cofmaraswamy, History of Indian and Indonesian Art (1927) 279
.................  Grove Dictionary of Art (1996) Vol. 15, 655
.................  Harle, Art and Architecture of the Indian Subcontinent (1986) 382
Oudh............  [CDBP-SNPC Preferred, RKD, AAT-Ned Preferred, VP Preferred]
...........  Aarsbergen, Kroniek van de mensheid (1991)
...........  AAT-Ned (1994-)
...........  Craven, Indian Art (1997) 213
...........  Harle, Art and Architecture of the Indian Subcontinent (1986) 589
...........  TAA database (2000-)
 
Subject: .....  [AS-Academia Sinica, CDBP-SNPC, RKD, AAT-Ned, VP]
............  Aarsbergen, Kroniek van de mensheid (1991)
 
Note:
English .......... [VP]
.......... Legacy AAT data
Chinese (traditional) .......... [AS-Academia Sinica]
Dutch .......... [RKD, AAT-Ned]
.......... Aarsbergen, Kroniek van de mensheid (1991)
.......... AAT-Ned (1994-)
Spanish .......... [CDBP-SNPC]
.......... TAA database (2000-)

 

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