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3
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EDITORIAL RULES, CONTINUED
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3.5
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Associative Relationships
Included in this chapter
- Example
[from editorial system, for the architect Christopher Wren]
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[from an end-user display, for Christopher Wren]
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3.5.1
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Related People and Corporate Bodies
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3.5.1.1
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Definition
Associative relationships to other persons and corporate
bodies in the ULAN, particularly any important ties or connections
between people or between corporate bodies, excluding hierarchical whole/part relationships.
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3.5.1.2
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Values
Values for the Related entity are concatenated from other fields in the ULAN record.
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3.5.1.3
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Sources: Warrant for linking the people or corporate bodies
The same standard general references that are appropriate
for the Descriptive Note may be used to determine which persons
and corporate bodies are related. See 3.4 Descriptive Note.
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3.5.1.4
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Discussion
Related People and Corporate Bodies are the associative
relationships between the ULAN record at hand and other
ULAN records. Only clear and direct relationships
should be recorded.
- Avoid making unimportant, indirect, or repetitive links between
Related People and Corporate Bodies.
If a thesaurus is bound by
too many associative relationships between entities that
are only loosely or indirectly related, the value of the
relationships in retrieval is lost. Consider this question:
If the end-user is interested in retrieving Artist X, will
he or she also want to retrieve Artist Y? If not, probably
there should not be an associative relationship between
the two records; consider whether the information about
the second artist is better expressed in the Descriptive
Note.
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3.5.1.5
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RULES
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3.5.1.5.1
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Minimum requirements
Optional: Make links between people and corporate bodies who are professionally directly related to each other. For important patrons and families of artists, certain familial relationships may also be recorded here; in ULAN, Hierarchical Relationships are not used for family trees.
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3.5.1.5.2
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- When to make Associative
Relationships
Make links to Related People and Corporate Bodies when it
is useful to the end-user to have cross-references. Think in terms of retrieval:
Would such a link be useful in research and discovery of art information? If not,
do not make a link to the Related People and Corporate Bodies
(instead, you may mention the other person in the Descriptive
Note, if warranted).
Confusion between two persons or corporate bodies
If there is a significant possibility that two persons or
corporate bodies may be confused because they have historically
been confused or the identities of the artists may be the
same (e.g., an anonymous artist is possibly identified as
a named artist), link them as Related People.
- Example
[for the Master of King René of Anjou]
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- Do not link homographs
If the only cause of potential confusion is that the artists
have the same or similar names, do not link them through associative relationships unless they are members of the
same family. In most cases, the Display Biography of the
artists will be enough to distinguish them.
In the rare
case that there has been historical confusion between the
two people or corporate bodies with the same or similar names, describe the issue regarding
their similar names in the Descriptive Note (see Chapter
3.3) and link through associative relationships if warranted. See also Families below.
- Variant names vs. separate records for persons
If scholarly opinion is divided as to whether or not one
person is the same as another, make separate records
for each person and link them with relationship type: possibly
identified with. This typically occurs with anonymous
masters or other artists whose identity has been in question.
For example, Barthélemy d'Eyck is possibly, but
not firmly, identified with Master of the Annunciation of Aix. Given that the association is uncertain, do
not put the name Master of Master of the Annunciation of Aix
in the record for Barthélemy d'Eyck. Make two
separate records and link them through associative relationships.
- Example
[for the Master of the Annunciation of Aix]
- Relationship Type: possibly identified with
Related Person or Corporate Body: Eyck, Barthélemy d' (Netherlandish painter, active in France, documented
1444, died ca. 1476)
- If scholars generally agree that both identities represent
a single artist, make only one record for the person and
include the other names as variant names (rather than making
two records and linking them through associative relationships,
e.g., for Robert Campin who was formerly known as
the anonymous Master of Flémalle). See 3.3
Names.
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- Variant names vs. separate records for corporate bodies
If one firm or other corporate body is the historical counterpart
to a later firm (both may have similar names), link them
through associative relationships.
Another option: If
the name of a corporate body
has changed, you may include the names
in one record rather than making two records in certain cases: If the entities existed at least several centuries ago, or otherwise the details of the separate entities are insignificant or unknown.
- One record: Generally include former names
in one record for the entity rather than making two
records 1) if the entity is a historical studio or institution with no or little difference in administration and location
(e.g., Manufacture Royale des Gobelins and Manufacture
Nationale des Gobelins are two names in the same
record), or 2) if the primary partners have remained
the same for a contemporary firm. See 3.3 Names.
- Two records: Generally make two records 1)
for historical entities, if the function or location
of the historical entity changed with the name change,
or 2) if the name changed significantly for a contemporary firm, the primary partners have changed, or
the firm prefers to distinguish its
separate incarnations.
Make a decision based on the way the issue is
presented on the firm's Web page or other official
publication, or the way the firm is listed in scholarly
publications. For example, based on the use of the
terms in scholarly literature, Adler & Sullivan
and Adler and Sullivan, Architects are different
names for a single firm, but the earlier firms Burling
& Adler and D. Adler & Co. are
each separate firms.
Link two firms as Related Corporate Bodies only
if there is a direct historical or other relationship
between the two entities. Do not link entities that
have in common only one or two members;
for example, in the example above, Burling &
Adler and D. Adler & Co. are not
linked to each other because the only characteristic
they share is the member Dankmar Adler. However,
D. Adler & Co. and Adler & Sullivan
are linked with an associative relationship because
both Dankmar Adler and Louis H. Sullivan worked
as primary architects in both firms, and the later
firm is generally considered a successor of the
earlier one in scholarly literature.
- Example
[for D. Adler & Co.]
- Relationship Type: predecessor of
Related Person or Corporate Body: Adler &
Sullivan (American architectural firm, founded in 1883)
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- Student/teacher relationships
Include major student/teacher relationships for the artist.
- Example
[partial list for Rembrandt van Rijn]
- Relationship Type: student of
Related Person or Corporate Body: Lastman, Pieter
(Dutch painter and draftsman, 1583-1633)
- Relationship Type: teacher of
Related Person or Corporate Body: Backer, Jacob
Adriaensz (Dutch painter, 1608-1651)
- Relationship Type: teacher of
Related Person or Corporate Body: Bol, Ferdinand
(Dutch history and portrait painter, 1616-1680)
- Relationship Type: teacher of
Related Person or Corporate Body: Dou, Gerrit
(Dutch painter and draftsman, 1613-1675)
[etc.]
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- Members of firms
Link a firm, studio, or manufactory to its members as time
and editorial priorities allow. If you link one member to
a firm, link all of the major members.
- Examples
[for Frank Lloyd Wright]
- Relationship Type: founder of
Related Person or Corporate Body: Oak Park Studio
(American architectural firm, established ca. 1896,
dissolved 1909)
[for I. M. Pei & Partners]
- Relationship Type: founded by
Related Person or Corporate Body: Pei, I. M.
(American architect, born 1917, born in China)
- Relationship Type: partner was (firm to person)
Related Person or Corporate Body: Cobb, Henry
Nichols (American architect, born 1926)
- Relationship Type: partner was (firm to person)
Related Person or Corporate Body: Fredenburgh,
Harold (American architect, contemporary)
- Relationship Type: partner was (firm to person)
Related Person or Corporate Body: Freed, James
Ingo (American architect, born 1930)
- Relationship Type: partner was (firm to person)
Related Person or Corporate Body: Jacobson, Leonard
(American architect, 1921-1992)
- Relationship Type: partner was (firm to person)
Related Person or Corporate Body: Leonard, Eason
H. (American architect, contemporary)
- Relationship Type: partner was (firm to person)
Related Person or Corporate Body: Wandelmaier,
Werner (American architect, active after 1955)
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- Families
For artists and major patrons, link members of families
to each other. If you link one
artist to any family member, link them to all of their
prominent family members.
- For people with names that are homographs containing
a designation of family, such as the elder or
Jr., link the family
members.
- Examples
[for Gao Jianfu]
- Relationship Type: sibling of
Related Person or Corporate Body: Gao Qifeng
(Chinese painter, 1889-1935)
[for Artemisia Gentileschi]
- Relationship Type: child of
Related Person or Corporate Body: Gentileschi,
Orazio (Italian painter, 1563-1639)
- Relationship Type: spouse of
Related Person or Corporate Body: Stiattesi,
Pietro (Italian painter, active 17th century)
[for Pieter Bruegel the Elder ]
- Relationship Type: child by marriage (in-law)
of
Related Person or Corporate Body: Coecke van
Aelst, Pieter, the elder (Flemish artist, architect,
and author, 1502-1550)
- Relationship Type: child by marriage (in-law)
of
Related Person or Corporate Body: Verhulst, Mayken
(Flemish painter, ca. 1520-1600)
- Relationship Type: grandparent of
Related Person or Corporate Body: Brueghel, Ambrosius
(Flemish painter, 1617-1675)
- Relationship Type: grandparent of
Related Person or Corporate Body: Brueghel, Jan,
the younger (Flemish painter and draftsman, 1601-1678)
- Relationship Type: grandparent of
Related Person or Corporate Body: Brueghel, Pieter,
III (Flemish painter, born 1589, died after 1608)
- Relationship Type: parent of
Related Person or Corporate Body: Brueghel, Jan,
the elder (Flemish painter, draftsman, 1568-1625)
- Relationship Type: parent of
Related Person or Corporate Body: Brueghel, Pieter,
the younger (Flemish artist, born 1564 or 1565, died
1637 or 1638)
- Relationship Type: member of
Related Person or Corporate Body: Brueghel family
(Flemish painters, active 16th-17th centuries)
- In general, do not link
family members who are not artists or major
patrons.
- Record for the family per se: For major families
of artists or patrons, make a record for the family and
link the members to the family record. You will generally
need to construct a name (e.g., Brueghel family;
see also 3.3 Names), because the name per se
will rarely be found in a source. If you link to any member
of the family, link to all significant members ofthe family
who are artists or patrons.
- Example
[for the record "Brueghel family"]
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- Exception: Do not make a record for the family
if there are only two or three members. Make a family
record only when there are several or many family members,
and when the history of the family as an entity is significant
and warrants separate discussion.
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- Corporate Bodies: Hierarchical vs. Associative Relationships
For corporate bodies, do not make associative relationships
when hierarchical relationships are more appropriate. For
the administrative subdivisions that have part/whole relationships to institutions, manufactories
and other entities, use the hierarchical relationships.
- See the list of Relationship Types below for
further examples of when to make associative relationships.
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3.5.2
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Relationship Type
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3.5.2.1
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Definition
A term or phrase characterizing the relationship between the
person or corporate body at hand and the linked person or
corporate body.
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3.5.2.2
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Values
Values are controlled by an extensible controlled list comprising a code
and phrase. Each code-plus-phrase is linked to another code,
which is the reciprocal relationship. Some relationships are symmetric, meaning they are the same in both directions.
-
Example
[partial view of controlled list]
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3.5.2.3
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RULES
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3.5.2.3.1
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Appropriate Relationship Types
It is required to include a Relationship Type for each Related
Person and Corporate Body.
- Choose the specific suitable Relationship Type.
If necessary, use the broad related to as a default. If a new relationship type is needed, contact the Vocabulary Program.
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- Link to the correct side of the relationship
Relationship Types are reciprocal (that is,
linked to both records). When you choose a Relationship
Type, make sure that the Relationship Type and its counterpart
will work from the points of view of both linked records.
- For some relationships, the relationship type is the
same on both sides of the link; however, for most
it is different depending upon which record you are
in. Take care to choose the correct relationship
for the focus record (i.e., the record you are viewing when
you make the relationship).
Consider what will make
sense when displayed to a user. For example, if you
are in the record of a teacher, the relationship type
linking to the student is "1101 teacher of,"
because the artist in the focus record is the teacher
of the artist in the linked record. If you view
the record for the linked artist, the reciprocal relationship
type will be "1102 student of."
- Example
[for Jan Thomas, whose master was Rubens; in Rubens'
record, Rubens was the master of Thomas]
- Relationship Type: master was
Related Person or Corporate Body: Rubens, Peter
Paul
- Caveat: When relationship types are homographs,
be very careful to link to the correct one. For example,
as illustrated below, if you are linking a master to their charge, be sure use "master of" #1111.
Does it make sense from the focus record's point of view? Rubens was the master of Jan Thomas. Thomas's master was Rubens.
1111
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master of
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1112
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1112
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master was
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1111
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- Avoid redundant links
Generally, do not make multiple links
between any two entities. If two relationships apply between the
two entities, make only the most important relationship.
For example, if there is a father/son relationship,
do not also make a teacher/student relationship between
the two.
- In general, do not make relationships between entities
that have the relationship expressed in another way;
for example, if members of a firm are linked to the
firm, do not link the members to each other.
Exception:
For family members, link them to each other, even if they are
also linked to a separate record for the family. This is done in order to express the
specific relationship
between members, e.g., parent/child). See the
examples of the Brueghel family above.
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- Definitions of Relationship Types
Apply Relationship Types according to the the definitions in the table
below.
Relationship types is an extensible list.
»List of relationship types:
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- general
related to: General designation for relationships,
where no specific relationship is known or appropriate.
miscellaneous: Do not use. Reserved for problematic data loads.
associated with: For generic professional relationships.
possibly identified with: For two records that
may possibly represent the same person or corporate body, but this fact
is not firmly established and accepted. (If it is generally
accepted by scholars that both names refer to the same
person, put both names in the same record.)
distinguished from: For two people or corporate bodies who are often
confused for each other. Do not use for people who simply
have similar names; use only for artists who historically
have been confused in scholarly research.
meaning / usage overlaps with: For two people or corporate bodies who represent entities that partially overlap in meaning or usage. An example would be unknown Native American and unknown First Nations.
1000
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related to
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1000
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1001
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miscellaneous
|
1001
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1003
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associated with
|
1003
|
1005 |
possibly identified with |
1005 |
1006 |
formerly identified with |
1006 |
1007 |
distinguished from |
1007 |
1008 |
meaning / usage overlaps with |
1008 |
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- <person to person - teaching/learning>
The following relationships may be used, as appropriate
and described in scholarly literature. These refer to
relationships between two people.
1101
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teacher of
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1102
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1102
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student of
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1101
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1105
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apprentice of
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1106
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1106
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apprentice was
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1105
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1107
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influenced
|
1108
|
1108
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influenced by
|
1107
|
1111
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master of
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1112
|
1112
|
master was
|
1111
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1113
|
fellow student of
|
1113
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- <person to person / person to firm - patronage>
Generally for relationships between artists and patrons.
1201
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patron of
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1202
|
1202
|
patron was
|
1201
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1203
|
donor of
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1204
|
1204
|
donor was
|
1203
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1205
|
client of
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1206
|
1206
|
client was
|
1205
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1211
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artist to
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1212
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1212
|
artist was
|
1211
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1213
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court artist to
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1214
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1214
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court artist was
|
1213
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1217
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employee of
|
1218
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1218
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employee was
|
1217
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1221
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appointed by
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1222
|
1221
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appointed by
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1222
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1223
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crowned by
|
1224
|
1224
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crowned
|
1223
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- <person to person - professional collaboration>
For artists who worked together as peers (or with one
assisting another), not in a master/student relationship.
1301
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colleague of
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1301
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1302
|
associate of
|
1302
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1303
|
collaborated with
|
1303
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1305
|
worked with
|
1305
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1306
|
performed with
|
1306
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1307
|
assistant of
|
1308
|
1308
|
assisted by
|
1307
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1309
|
advisor of
|
1310
|
1310
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advised by
|
1309
|
1311
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partner of
|
1311
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- <person to firm/group - professional collaboration>
For artists who worked for a firm, studio, artist family,
or other corporate body. For families, use member of.
1313
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partner in
|
1314
|
1314
|
partner was (firm to person)
|
1313
|
1315 |
principal in (person to firm) |
1316 |
1316 |
principal was (firm to person) |
1315 |
1317
|
member of
|
1318
|
1318
|
member was
|
1317
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1321
|
school of
|
1322
|
1322
|
school was
|
1321
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1331
|
worked with
|
1332
|
1332
|
worker was
|
1331
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- <firm/group to firm/group>
For firms or other corporate bodies where one followed
another chronologically and was clearly the successor
of the other.
1411
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successor of
|
1412
|
1412 |
predecessor of |
1411 |
1413
|
administration overlaps with
|
1413
|
1414
|
joint venture with
|
1414
|
1421
|
founded by (group to group)
|
1422
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1422
|
founded (group to group)
|
1421
|
|
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|
|
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|
- <person to person - family relationships>
For people related as family members to other people.
1500
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related to (familial)
|
1500
|
1501
|
sibling of
|
1501
|
1511
|
child of
|
1512
|
1512
|
parent of
|
1511
|
1513
|
grandchild of
|
1514
|
1514
|
grandparent of
|
1513
|
1515
|
great-grandparent of
|
1516
|
1516
|
great-grandchild of
|
1515
|
1521
|
cousin of
|
1521
|
1531
|
nephew/niece of
|
1532
|
1532
|
uncle/aunt of
|
1531
|
1541
|
spouse of
|
1541
|
1542 |
consort of |
1543 |
1543 |
consort was |
1542 |
1544 |
significant other of |
1544 |
1547 |
romantic partner of |
1547 |
1548 |
domestic partner of |
1548 |
1550 |
relative by marriage (in-law) |
1550 |
1551
|
sibling by marriage (in-law) of
|
1551
|
1552
|
parent by marriage (in-law) of
|
1553
|
1553
|
child by marriage (in-law) of
|
1552
|
1554
|
adoptive parent of
|
1555
|
1555
|
adoptive child of
|
1554
|
1556
|
half-sibling of
|
1556
|
1557
|
step-sibling of
|
1557
|
1561
|
step-child of
|
1562
|
1562
|
step-parent of
|
1561
|
1571
|
guardian of
|
1573
|
1573
|
ward of
|
1571
|
1574
|
godparent of
|
1575
|
1575
|
godchild of
|
1574
|
1581
|
descendent of
|
1582
|
1582
|
ancestor of
|
1581
|
1590
|
possibly related to (familial)
|
1590
|
|
|
|
|
|
|
|
|
- <person to person - personal relationship>
For personal relationships, outside of family ties.
|
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|
|
|
|
|
|
- <person to institution - professional/administrative>
For professional or administrative relationships between
people and institutions.
2572
|
founder of
|
2573
|
2573
|
founded by
|
2572
|
2574
|
director of
|
2575
|
2575
|
directed by
|
2574
|
2578 |
trustee of |
2579 |
2579 |
trustee was |
2578 |
2581 |
administrator of |
2582 |
2582 |
administered by |
2581 |
2650
|
publisher was (person to institution)
|
2651
|
2651
|
publisher of
|
2650
|
2674
|
professor at (person to institution)
|
2675
|
2675
|
professor was (institution to person)
|
2674
|
2676
|
teacher at (person to institution)
|
2677
|
2677
|
teacher was (institution to person)
|
2676
|
2692
|
president of (person to institution)
|
2693
|
2693
|
president was (institution to person)
|
2692
|
2696
|
leader of (person to institution)
|
2697
|
2697
|
leader was (institution to person)
|
2696
|
2778
|
owner of
|
2779
|
2781
|
owned by
|
2782
|
2782 |
dedicatee of |
2781 |
2779 |
dedicated by |
2778 |
2794
|
representative of (person to institution)
|
2795
|
2795
|
representative was (institution to person)
|
2794
|
2828
|
student at (person to institution)
|
2829
|
2829
|
student was (institution to person)
|
2828
|
2840
|
performer with (person to group)
|
2841
|
2841
|
performer was (group to person)
|
2840
|
|
|
|
|
|
3.5.2.3.2
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|
|
Adding new Relationship Types
If you need to add another Relationship Type to this list, contact the Vocabulary Program.
|
|
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3.5.3
|
|
|
Historical Flag
|
|
|
|
|
3.5.3.1
|
|
|
Definition
Flag indicating the historical status of the relationship
between related people or corporate bodies.
- Example
[for Otto Ludwig Sinding]
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|
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|
|
3.5.3.2
|
|
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Values
Values are drawn from a controlled list.
C - Current
H - Historical
B - Both
N/A - Not Applicable
U - Undetermined
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3.5.3.3
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RULES
- Default flag for the relationship is Not Applicable
(NA).
- Current: For relationships that still exist.
- Historical: For a historical relationship that
no longer exists.
- Both: For a relationship that existed historically, was not in place for a time, and is now currently in place.
- Undetermined: This flag is used primarily for
data loads.
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3.5.4
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Dates for Related People and Corporate
Bodies
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3.5.4.1
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Definition
Dates delimiting the relationship between the related people
or corporate bodies.
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3.5.4.2
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Fields
There are three fields: Display Date, Start Date,
and End Date.
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3.5.4.3
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Values
Display Date is a free-text field; values are Unicode.
Start Date and End Date must be numbers that represent years. Dates BCE are represented by negative numbers.
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3.5.4.4
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Sources
The dates should be determined using the same standard reference
works that supply other information about the relationship.
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3.5.4.5
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Discussion
The Display Date is a note field that
usually refers to a
period or date for the relationship. However, the Display Date note may contain notes that
do not explicitly make reference to a date. In such cases,
the note should implicitly refer to a date or datable condition
or event, because you are required to include a Start Date
and End Date with every Display Date.
- Display dates are indexed with Start Date and End Date containing numbers representing years;
dates BCE are represented by negative numbers.
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3.5.4.6
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RULES
Optional: Record dates if appropriate.
Basic rules appear below. For full discussion, see Appendix B: Dates.
- Dates are not required. However, if you enter data in
any of the three fields, you must enter data in all three
of the date fields.
- The dates appear on reciprocal links. That means that
the same dates will appear in both records. Write the Display
Dates and assign Start and End Dates so that they will be
correct and unambiguous in both records. Repeat the names
of the person or corporate body in the Display Date when
necessary to avoid ambiguity, as in the example below.
- Example
[for Pierre Subleyras]
- Relationship Type: student of
Related Person or Corporate Body: Rivalz, Antoine
(French painter and printmaker, 1667-1735)
Display Date: Subleyras entered Rivalz's workshop
in Toulouse in 1717
Start Date: 1717 End Date: 1720
- A brief set of rules for Dates appears below. See also Appendix B: Dates and Dates for Names in Chapter 3.3
Names.
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3.5.4.6.1
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Display Date
- Follow the style of existing Display Dates.
- Examples
[for Alfred Stieglitz]
- Relationship Type: spouse of
Related Person or Corporate Body: O'Keeffe,
Georgia (American painter, 1887-1986)
Display Date: 1924-1946
Start Date: 1924 End Date: 1946
[for Michael Palladino]
- Relationship Type: partner in
Related Person or Corporate Body: Richard Meier
& Partners (American architectural firm, contemporary)
Display Date: since 1985
Start Date: 1985 End Date: 2054
[for Gobelins]
- Relationship Type: directed by
Related Person or Corporate Body: Le Brun,
Charles (French designer, painter, and draftsman,
1619-1690)
Display Date: appointed as artistic director
8 March 1663
Start Date: 1633 End Date: 1690
- Relationship Type: directed by
Related Person or Corporate Body: Mignard,
Pierre, I (French painter and portraitist, 1612-1695)
Display Date: succeeded Le Brun in 1690
Start Date: 1690 End Date: 1695
- Do not use an initial capital, unless the word is a proper
name.
- Do not use full sentences; do not end the display date
with a period or any other punctuation.
- Typically the display date should refer, explicitly or
implicitly, to a time period or date associated with the
link between the Related People and Corporate Bodies.
- If a date is uncertain, use a broad or vague designation
or other terms such as ca. and probably to
express uncertainty (e.g., the word probably in the
example below).
- Example
[for Niccolò di Ser Sozzo]
- Relationship Type: apprentice was
Related Person or Corporate Body: Bartolo di
Fredi (Sienese painter, active by 1353, died 1410)
Display Date: Bartolo was probably the apprentice
of Niccolò, probably after Black Death of 1348
Start Date: 1348 End Date: 1358
- Display date as a note: In some cases, the Display Date may be used to record
unusual or important information about the Related People
and Corporate Bodies relationship (see the example below),
but not referring explicitly to a date. However, dates should
be implicit in the condition or event mentioned and you
should have a period or date in mind, because — if you record
a Display Date — Start and End dates are required.
- Example
[for Jan Joest]
- Relationship Type: related to (familial)
Related Person or Corporate Body: Baegert,
Derick (German artist, active 1476-1515)
Display Date: probably a close relative
Start Date: 1455 End Date: 1519
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3.5.4.6.2
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Start Date and End Date
Use dates that most broadly delimit the span of time of
the relationship referred to in the display date. In many
cases, the years will be approximate. When in doubt, it is
better to estimate too broad a span rather than too narrow
a span. See the Date Authority in Appendix B
for approximate dates of historic events and entities; you
should also consult other, related records in ULAN to establish
dates.
- Dates must be expressed in the proleptic Gregorian calendar,
which is the Gregorian calendar projected back in time before
it came into existence.
- Express dates BCE with negative numbers, using a hyphen
before the number. Do not use commas or any other punctuation
.
- Example
[for Julius Caesar]
- Relationship Type: patron of
Related Person or Corporate Body: Arkesilaos
(Greek sculptor, active mid-1st century BCE)
Display Date: ca. 46 BCE
Start Date: -51 End Date: -41
- For relationships that are in place until the end of the
artist's life or the dissolution of the corporate body,
use the Death Date as the End Date for the relationship.
- Example
[for Alfred Stiegltz, he was married to Georgia
O'Keeffe at the time of his death in 1946]
- Relationship Type: spouse of
Related Person or Corporate Body: O'Keeffe,
Georgia (American painter, 1887-1986)
Display Date: 1924-1946
Start Date: 1924 End Date: 1946
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Last updated 3 December 2024
Document is subject to frequent revisions
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