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In this Issue

Table of Contents

  1. A Stone Alabastron in the J. Paul Getty Museum and Its Mediterranean Context
  2. Jorrit M. Kelder, Laurent Bricault, Rolf M. Schneider
  3. pp. 1-16
  4. restricted access
  1. Between Flanders and Paris: Originality and Quotation in the Montebourg Psalter
  2. Judith Oliver
  3. pp. 17-36
  4. restricted access
  1. A Murder, a Mummy, and a Bust: The Newly Discovered Portrait of Simon of Trent at the Getty
  2. Jeanette Kohl
  3. pp. 37-60
  4. restricted access
  1. Business First: Lucas Cranach and the Art Market in the Reformation
  2. Andreas Tacke
  3. pp. 61-82
  4. restricted access
  1. The Sketchbooks of a Disciple of Marco Benefial and Agostino Masucci: Apprenticeship and Invention in the Work of João Glama Ströberle (1708–92)
  2. Anna Reuter
  3. pp. 83-104
  4. restricted access
  1. The Pioneering Architectural History Books of Fergusson, Kugler, and Lübke
  2. Petra Brouwer
  3. pp. 105-120
  4. restricted access
  1. Remediated Ink: The Debt of Modern and Contemporary Asian Ink Aesthetics to Non-Ink Media
  2. Bert Winther-Tamaki
  3. pp. 121-148
  4. restricted access
  1. From Ruler to Tape: Stops and Starts in the History of Painted Abstraction
  2. Pia Gottschaller
  3. pp. 149-166
  4. restricted access
  1. Documenting Carolee Schneemann’s Performance Works
  2. Anja Foerschner, Rachel Rivenc
  3. pp. 167-189
  4. restricted access
  1. “A Man in His Duty”: An Ushabti of Neferibresaneith and a Case Study in the Dispersal of Egyptian Antiquities
  2. Sara E. Cole, Judith Barr, Roselyn Campbell
  3. pp. 191-206
  4. restricted access
  1. An Inside View of the Print Market in Paris (1881): A Contract between Félix Bracquemond and the Arnold & Tripp Gallery to Realize a Plate after Théodore Rousseau
  2. Paolo Serafini
  3. pp. 207-224
  4. restricted access
  1. A Statuette of Hermanubis in the J. Paul Getty Museum
  2. Laurent Bricault
  3. pp. 225-231
  4. restricted access

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Number 9, Supplement 1, 2017

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Number 11, 2019