The attribution of works to Benvenuto di Giovanni and his son Girolamo di Benvenuto is problematic and is complicated by the fact that the two undoubtedly collaborated on several works. Focusing on two paintings in the Museum’s collection, the authors reexamine attributions to these artists and compare the paintings to work in other collections in the United States.

Burton B. Fredericksen is curator of paintings at the J. Paul Getty Museum.