May 20–23, 2025

University College London-East, London

Co-organized with University College London (UCL) and Tate

Since the 1960s kinetic art, characterized by its incorporation of motion and the use of a wide array of materials, has undergone significant evolution, particularly with the integration of increasingly complex technologies. Consequently, the preservation and maintenance of indoor kinetic artworks now require a broad set of technical skills, including expertise in mechanics, electronics, and digital systems. This also necessitate close collaboration with professionals from disciplines that complement those of conservators, ensuring a holistic approach to the conservation process. This interdisciplinary approach ensures the preservation of both the functional and aesthetic aspects of kinetic artworks, addressing physical considerations as well as challenges posed by obsolescent technology and the continued operability of the works.

The curriculum has been developed through the combined expertise of the Getty Conservation Institute, University College London-East, Tate, Reinhard Bek of Bek & Frohnert, an expert in the conservation of time-based media, and the expertise of experienced instructors.

The workshop will be delivered through engaging lectures, hands-on practical sessions, and conversations with artists, offering participants multiple perspectives on indoor kinetic art conservation. A site visit to Tate will provide an opportunity to examine case studies, facilitating in-depth discussions on artwork condition, conservation strategies, ethical considerations, and the practical challenges that professionals encounter in the field. The workshop is designed to provide participants with a foundation of both theoretical knowledge and practical skills, essential for addressing the complexities of indoor kinetic art conservation.

During the workshop participants will be introduced to:

• History of Kinetic Art
• Cause of Movement
• Failure and Prevention
• Basics of Mechanics, Electricity and Electronics
• Condition Assessment
• Documentation of Artworks’ Concept and Function
• Treatment Strategies
• Maintenance Planning
• Ethical Considerations for Replication and Parts Replacement
• Display Requirements
• Case Studies

By the end of the workshop, participants will be able to:

Understand Movement in Kinetic Art and Basic Mechanics, Electricity, and Electronics

Develop a solid understanding of the mechanical and natural factors driving movement in kinetic artworks, along with the foundational principles of mechanics, electricity, and electronics.

Assess Condition, Create Treatment Plans, and Address Ethical Considerations

Perform condition assessments of kinetic artworks, document issues, and create treatment and maintenance plans. Evaluate the ethical implications of replicating or replacing parts, ensuring decisions align with the artist’s intent.

Engage with Artists and Conservation Experts

Collaborate with artists and professionals, integrating theoretical knowledge with practical skills to enhance conservation approaches.

The workshop will be held in person over four days in London. Teaching materials will be available through an online learning platform during and after the workshop.

Reinhard Bek, Partner, Bek & Frohnert LLC, New York

Pip Laurenson, Professor of Conservation and Director of the MSc Conservation of Contemporary Art and Media, UCL, London

Deborah Cane, Conservation Manager, Sculpture and Installation Art, Tate, London

The workshop will be facilitated by Senior Project Specialist Flavia Perugin, Getty Conservation Institute.

Space for this workshop is limited to eighteen (18) conservation professionals specializing in the care of modern and contemporary art. No prior experience in kinetic art conservation is required to apply; however, candidates with three to five years of conservation experience are preferred. Applicants should ideally be in a position to share the knowledge and skills gained during the workshop with the broader conservation community.

The workshop language is English.

The workshop fee is USD $800 (eight hundred US dollars). The fee includes tuition, workshop materials, daily morning and afternoon tea/coffee, and daily lunches.

Participants are responsible for round-trip transportation costs to London, UK, lodging, any applicable visa fees, and all other travel and incidental expenses. Participants who require financial assistance must indicate this on their online application.

For further information or questions, please contact gcisculpt@getty.edu

Applicants are required to complete an online application form and upload their curriculum vitae (CV) (maximum two pages).

Steps to Apply:

1. Review the read-only application form (PDF) and gather needed information and documents. Your application must be completed in one session.
2. Input required information into online application form.
3. Upload curriculum vitae (CV) to the online application form.
4. Submit online application form.

Applicants will receive confirmation within fourteen days that their application materials have been received. Applicants who do not receive a confirmation should contact gcisculpt@getty.edu.

The deadline for submission of applications is 5:00 pm Los Angeles time (GMT -7), November 25, 2024.

By January 16, 2025: Applicants will be notified if they have been selected to participate in the workshop and, if applicable, receive financial assistance.

February 6, 2025: Deadline for participants to submit the workshop tuition fee. Registrations will be canceled for those who fail to submit payment by this date, and any available spots will be offered to individuals on the waiting list.

Inquiries should be sent to: gcisculpt@getty.edu