The Morbid History of Medical Photography

The startling images that increased medical knowledge

A man with electrodes held to his face just above his eyebrows and on his neck. His mouth and eyes are opened wide. His brow is furrowed

Fear and Horror, negative about 1856; print 1872, Guillaume-Benjamin Duchenne and Adrien Alban Tournachon. Heliotype, 2 3/8 × 1 7/8 in. Getty Museum, 84.XL.1214.30

By Melissa Casas

Oct 25, 2022

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Body Content

Welcome to a 19th-century Parisian teaching hospital that still exists today: the Pitié-Salpêtrière Hospital, otherwise known as the Salpêtrière.

A photograph of the stone entrance to the Pitié-Salpêtrière Hospital

Entrance of the Pitié-Salpêtrière Hospital. Photo: Vaughan, Public Domain. Source: Wikimedia Commons,

Thanks to photographer Adrien Tournachon, this was one of the first hospitals to use photography to document patients and their conditions.

A chart with sixteen different images of people exhibiting different expressions, some with electrical probes held to their faces

Électro-Physiologie Photographique, Planche 1, negative 1852–1856; print 1876, Guillaume-Benjamin Duchenne and Adrien Alban Tournachon. Albumen silver print, 5 3/16 × 4 3/16 in. Getty Museum, 84.XB.1342.2.84

It was here that neurologist Guillaume-Benjamin Duchenne conducted his electrotherapy experiments.

Duchenne holds electrodes to a mans face to stimulate a toothless smile

Mecanisme de la Physionomie Humaine, 1862, Guillaume-Benjamin Duchenne and Adrien Alban Tournachon. Albumen silver print, 10 7/8 × 7 1/2 in. Getty Museum, 84.XB.874.7

He used electrical probes to stimulate facial muscles and induce expressions of fright, delight, and everything in between.

Duchenne believed that by recording and studying facial expressions he could access a person’s soul or inner character.

The study Duchenne published with Tournachon’s photos was so influential that even Charles Darwin reproduced some of them in one of his own publications.

A woman with an electrode held against her cheek to demonstrate the use of electrical current to cause facial muscles to contract and produce a half smile

Électro-Physiologie Photographique (Portrait of a Woman), Fig. 35, negative about 1856; print 1876, Guillaume-Benjamin Duchenne and Adrien Alban Tournachon. Albumen silver print, 4 1/2 × 3 1/2 in. Getty Museum, 84.XB.1342.2.34

Portrait of a woman with chin-length hair with an electrical probe held to her forehead above her right eye. The woman's right eyebrow is lifted

Électro-Physiologie Photographique, Figure 11, negative 1852–1856; print 1876, Guillaume-Benjamin Duchenne and Adrien Alban Tournachon. Albumen silver print, 4 5/16 × 3 3/8 in. Getty Museum, 84.XB.1342.2.10

Duchenne received criticism because most of his patients and models were from the lower class.

Researchers still aren’t sure if all of them consented or were fully aware of what they were getting into.

View of a woman lying in bed in the midst of a seizure. Her body appears rigid, her arms at her sides, her eyes rolled back, and her mouth stretched wide in a grimace

Hystero-Epilepsy: Epileptoid Attack Phase, 1878, Paul-Marie-Léon Regnard. Photogravure, 3 7/8 × 2 3/8 in. Getty Museum, 84.XB.730.7.35

Side view of a woman lying on a bed, her head resting on a pillow. Her arms are extended down over the side of the bed, and her mouth is wide open. A belt or strap is visible across her abdomen

Début d'une Attaque Cri, 1878, Paul-Marie-Léon Regnard. Photogravure, 4 1/8 × 2 1/2 in. Getty Museum, 84.XB.730.7.30

Duchenne’s student, Jean-Martin Charcot, became the hospital’s director in 1862 and is considered the founder of modern neurology. He focused on female hysteria and hypnosis. Charcot delivered weekly “Tuesday Lectures” where female patients were asked to “perform” symptoms of hysteria for the public.

Like Duchenne, Charcot believed that mental illness was evident on the body, especially for women.

The photos of Charcot’s patients can be hard to stomach, but they provided what was thought to be objective documentation of female hysteria.

A page of a book with a view of the entrance to the chapel of Pitié-Salpêtrière Hospital. The front facade features three arches along the portico, and the cupola is visible above it

Pitié-Salpêtrière Hospital chapel, 1878, Paul-Marie-Léon Regnard. Photogravure, 2 5/8 × 2 7/8 in. Getty Museum, 84.XB.730.7.1

Charcot’s three-volume “Iconographie Photographique de la Salpêtrière” became foundational in studies of psychology and neurology.

Although Charcot’s work led to further understanding of multiple sclerosis, Parkinson’s disease, and Tourette syndrome, we should never forget that early medicine was rooted in questionable methods, especially when photography was involved.

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