Powerful Connections

Photographs by Carrie Mae Weems and Dawoud Bey reveal the rhythms in the everyday

Side-by-side headshots of artists Dawoud Bey and Carrie Mae Weems

Left: Dawoud Bey (Photo Credit: Whitten Sabbatini). Right: Carrie Mae Weems

By Meg Butler

May 30, 2023

Social Sharing

Body Content

Photographers Dawoud Bey and Carrie Mae Weems were born in 1953, met in 1976, and have spent the last 45 years in each other's sphere of influence.

How does a lifetime of friendship and professional successes influence the work of two world-renowned artists?

This spring, Getty presents an exhibition, organized by the Grand Rapids Art Museum, that brings together several important series by the two artists. The show explores the ways their shared values, compelled by both artistic and social motivations, have shaped their relationship to making photographs.

A woman stands behind a kitchen table under a bright light fixture. The woman's hands are on the table; she stares intensely at the camera

Untitled (Woman standing alone), 1990, Carrie Mae Weems. Gelatin silver print, 40 x 40 in. Courtesy of the artist and Jack Shainman Gallery, New York. © Carrie Mae Weems

A young man leans on the handlebars of a bicycle and smiles at the camera

A Young Man Resting on an Exercise Bike, Amityville, NY, 1988, Dawoud Bey. Gelatin silver print, 20 x 24 in. Courtesy of Stephen Daiter Gallery. © Dawoud Bey

Dawoud Bey is best known for his intimate and tender portraits of people he encounters, while Carrie Mae Weems is most closely associated with conceptual strategies like staged scenes and the inclusion of text. Both photographers began with an interest in the documentary tradition, but they have developed radically different approaches to depicting the world around them. However, a close look at their work reveals compelling parallels.

A woman in a black dress stands in front of a cityscape

The Edge of Time-Ancient Rome, 2006, Carrie Mae Weems. Chomogenic print, 73 × 61 in. Courtesy of the artist and Jack Shainman Gallery, New York. © Carrie Mae Weems

Two women stand behind a barricade that reads "police"

Two Women at a Parade, 1978; printed 1979, Dawoud Bey. Gelatin silver print, 8 × 11 7/8 in. Grand Rapids Art Museum, Museum Purchase, 2018.21. © Dawoud Bey. Courtesy of Stephen Daiter Gallery

Pairing their photographs allows us to appreciate moments like these: two photographs taken roughly 30 years apart, on opposite corners of the world, that touch on similar themes.

Bey’s 1978 image captures two women whose path is blocked by a police barrier. Weems’ 2006 self-portrait captures a moment on the outer edge of Rome, as part of her series titled Roaming, which reflects on the power of the state in relation to individual citizens. Only by looking at these photographs together do the common themes of barriers, power, and dynamics of inclusion and exclusion come into focus.

A standing woman hugs herself while facing away from the camera

First Self Portrait, 1975, Carrie Mae Weems. Gelatin silver print, 8 5/8 × 8 5/8 in. Courtesy of the artist and Jack Shainman Gallery, New York. © Carrie Mae Weems

A photo of the photographer's shadow, cast in a dark alley

Self and Shadow, New York, NY, 1980, Dawoud Bey. Gelatin silver print, 21 1/2 × 14 3/8 in. Courtesy of Stephen Daiter Gallery. © Dawoud Bey

Both artists are highly acclaimed for their ability to capture the beauty of everyday life. Here are two very different self-portraits, one from the 1970s, another from the 1980s—what similarities do you find when they are paired together?

“As viewers of art,” posits the exhibition’s accompanying publication Dawoud Bey & Carrie Mae Weems: In Dialogue, “we are all impacted by our ways of seeing and experiencing life.”

Through these images, audiences are invited to explore the artists’ commonalities and discover revelations about the works, and, in the process, themselves.

Visit the exhibition Dawoud Bey & Carrie Mae Weems: In Dialogue at the Getty Center, April 4–July 9, 2023.

Back to Top

Stay Connected

  1. Get Inspired

    A young man and woman chat about a painting they are looking at in a gallery at the J. Paul Getty Museum.

    Enjoy stories about art, and news about Getty exhibitions and events, with our free e-newsletter

  2. For Journalists

    A scientist in a lab coat inspects several clear plastic samples arrayed in front of her on a table.

    Find press contacts, images, and information for the news media