Keeping Creative with DJ Zen Freeman

An art fan, music producer, and DJ mixes beats at Getty

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DJ Zen Freeman plays music inside a Getty Center building.

Zen Freeman

By Caitlin Shamberg

Aug 09, 2023

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Earlier this summer, two events kicked off a few weeks apart and 145 miles away from each other.

In Indio, the Coachella Music Festival drew 125,000 people each weekend; and at the Getty Center, an exhibition of Tim Walker’s wild and wonderful photographs showered audiences with inspiration and creative imagination. For DJ Zen Freeman, who happened to play both the music festival and at a party celebrating the Walker opening, they had something in common.

“There’s always kind of a bond between music and art,” says Freeman, who has been a DJ long enough to have played all over the globe at clubs, festivals, Hollywood parties, and fashion shows. “I really enjoy immersing myself into situations where I’m kind of digesting music.” And he feels the same way about art.

“I grew up in a really wonderful place, and it was just full of artists,” Freeman says of his upbringing in London’s Notting Hill, where he was raised by his single mom, a painter. “I can remember seeing easels and chalks and books and magazines.” He even came across Tim Walker, whose work in Vogue blew him away.

Two naked men hold up a bright blue cloth.

Amphibian and Lewis Walker with Blue Satin (detail), 2022, Tim Walker. Inkjet print. Courtesy of the artist. © 2022 Tim Walker

Freeman’s music career grew out of practice and passion. As a boy, he got his hands on as much vinyl as possible, and when he was barely into double digits, started to wire old turntables together. “There weren’t that many DJs back then,” he recalls. “I was just getting really inspired by some of the UK DJs and people like Carl Cox who were mixing on several turntables. And then I was trying to recreate that at home.”

He bought his first professional DJ setup at age 15 after landing a gig at a nightclub. “I had to quickly get the set planned out, go buy some vinyl, and then get a fake ID,” he says. In fact, he used to spend more money on vinyl than what he was paid for playing gigs. “So I never really saw it as a career,” he says. “I always saw it as an expensive hobby.”

When Freeman arrived in L.A. in 2001, he found his way to Amoeba Music, combing through vinyl to build his collection. He started trading tracks with other musicians, a practice he still draws inspiration from today. In the early aughts, he got a job DJ’ing a party at a film festival and was quickly absorbed into the Rolodexes of Hollywood party planners. His music was just the right level for guests to mingle and slip into just the right mood.

Fast forward to 2023 and you’ll find him curating Saturday night’s nu-disco dance party at a club below the West Hollywood Edition Hotel; working as a music supervisor for luxury brands; and spinning in Las Vegas. “That’s probably the easiest set,” he says of Vegas, “just to play bangers.”

Freeman also notes that collaboration is a key part of producing music. And finding ways to stay inspired. From Coachella to the Getty exhibition to a recent music festival in Brazil, he can immerse himself in the sounds and art. He says he gets his inspiration from “not being scared of pushing boundaries on creativity,” a sentiment that also runs through Tim Walker’s work.

And sometimes, he goes to the beach. “I just go and take a surfboard and no music, sit on a board out there, watch the sun come up, and get a few waves,” he says. “And that’s my peaceful place.”

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