This study presents an analysis using detailed case studies of noted collectors who were pioneering in the acquisition and display of venerated old objects in the decades marked by the opening of Japan to the West and the national displays in the great world’s fairs. Art historian Hiroyuki Suzuki demonstrates how collectors and antiquarians exchanged novel ideas about objects, ideas that were influenced both by the heritage of the Tokugawa-period intellectual sphere and by the pioneering and evolving cultural policies of the Meiji government. In its discussion of changes in Japanese notions about heritage, display, and appreciation, this book offers a critical perspective on the institutionalization of art in the context of modern and non-Western nations and cultures.
Art historian Maki Fukuoka’s sensitive translation is preceded by an introduction that situates the author’s methodological and intellectual analyses in the context of the practices of antiquarianism and relevant contemporary thought.