Getty Presents Rising Signs: The Medieval Science of Astrology

Exhibition explores medieval representations of the 12 signs of the zodiac

A manuscript page filled with green, blue and red text, and drawings around its margins.

October; Sowing, about 1440–50, from the Bedford Book of Hours, illuminated in the Workshop of the Bedford Master. Tempera colors, gold leaf, gold paint, and ink on parchment, 9 1/4 × 6 7/16 in. Getty Museum, Ms. Ludwig IX 6 (83.ML.102), fol. 10

Jul 17, 2024 Updated Aug 27, 2024

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The J. Paul Getty Museum presents Rising Signs: The Medieval Science of Astrology, an exhibition showcasing the mysteries of medieval astrology as it intersected with medicine, divination, and daily life in the Middle Ages.

Drawn from the Getty’s Manuscripts collection and several loans from the Getty Research Institute, the exhibition will be on view at the Getty Center from October 1, 2024 through January 5, 2025.

The practice of astrology—examining the movement of planets and stars to decipher information about events on earth—was an important part of the culture of pre-modern Europe. Astrology permeated many aspects of the world, from weather forecasting and agricultural activities to sciences, including alchemy and divination, and practical questions related to daily life and health.

Representations of the 12 signs of the zodiac were some of the most visible expressions of the influence of astrology on the medieval imagination. Appearing in books of many types and for a wide variety of different audiences, from astronomical treatises to prayer books, the zodiac was a way of visualizing the passage of time, understanding the present, and even predicting the future.

“This exhibition explores a topic that still has enormous resonance with contemporary life: the signs of the zodiac and the conception of astrology not just as a belief system but as a real science,” says Larisa Grollemond, associate curator of manuscripts at the Getty Museum. “By looking at the medieval visual history of the zodiac and exploring the cultural structures in place for comprehending and applying the practical lessons of astrology, this exhibition aims to deepen visitors’ understanding of a modern phenomenon with a long history.”

The exhibition examines several different facets of medieval astrology, beginning with The Zodiac and the Cycle of the Celestial Year, highlighting how the signs of the zodiac were frequently represented in medieval art with symbols derived from the series of star constellations in the ecliptic, the path of the sun through the sky. This celestial year was frequently represented in medieval books as a circular diagram showing the zodiac signs, months of the year, seasons, and other astrological occurrences.

In astronomical terms, the zodiac is a belt-shaped region of the sky that encompasses the path of the Sun across the celestial sphere over the course of the year, as well as the orbital paths of the Moon and other major planets. The Zodiac in Astronomy examines how the revolution of the constellations was visualized, especially in printed books that preserve 13th-century author Johannes de Sacrobosco’s influential medieval astronomical text.

The Zodiac and the Human Body focuses on the intersection of the human body with the zodiac and how astrology conditioned a wide variety of medical treatments. Each zodiac sign was thought to have dominion over a particular part of the body, as shown in the Zodiac Skeleton on view, and could determine the timing and course of treatment, considering the patient’s ruling sign, the time of year, and the location of the ailment.

A skeleton with a man between his legs is surrounded by text and four columns, two on each side.

Zodiac Skeleton, 1508, from Book of Hours. Getty Research Institute, 85-B20755

Lastly, Divination examines the importance of using astronomical observations and tools to predict events in the future, a goal of medieval astrology. Astrologers were a fixture of late medieval noble courts; royalty consulted them for guidance on everything from advantageous marriages to military outcomes. For regular people, they offered more practical astrological advice, including the best times of year for moving houses, bloodletting, and planting certain kinds of crops.

The exhibition will also feature images of the 12 signs of the zodiac in succession through a selection of pages from devotional books, including several examples of late medieval books of hours. In addition, an in-gallery digital interactive will allow visitors to find their medieval sign, explore related zodiac images, and learn more about each astrological season.

Rising Signs: The Medieval Science of Astrology is curated by Larisa Grollemond, associate curator of manuscripts at the Getty Museum.

To complement the exhibition, Getty will host an online conversation on October 3 at 12 pm, exploring the links between medieval astrology and popular contemporary practice, with Grollemond, and contemporary astrologers Gina Piccolo and Kyle Thomas.

The exhibition is part of PST ART, a Getty initiative presenting over 70 exhibitions at institutions across Southern California under the theme Art & Science Collide. PST ART is presented by Getty. Lead partners are Bank of America, Alicia Miñana & Rob Lovelace, Getty Patron Program. The principal partner is Simons Foundation. For more information about PST ART: Art & Science Collide, please visit: pst.art

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