Gold has come to epitomize the art of medieval manuscript painting, used not only for its incorruptibility, purity, and high value as a material but also for its spiritual connotations. By approaching this beguiling material in a survey of its various uses, application methods, and embellishment techniques, Nancy Turner, conservator of manuscripts and exhibition curator, highlights manuscripts from the Getty’s collection and and surveys the variety of materials and methods employed by medieval illuminators. Free; advance ticket required.
Thursday, October 20, 7:00 p.m.
Getty Center, Museum Lecture Hall
The Alchemy of Color in Medieval Manuscripts
October 11, 2016–January 1, 2017Getty Center
Appreciated today for its aesthetic qualities, color during the Middle Ages was also understood for its material, scientific, and medicinal properties. The manufacture of colored pigments and inks was part of the science of alchemy, the forerunner of modern chemistry. Concerned with the transformation of matter, alchemy was closely tied to artistic practice.
Current research into the materials used to produce the sumptuous colors that enliven manuscript pages reveals a remarkably diverse “alchemical rainbow” of hues derived from plants, minerals, and metals.
RELATED EVENTS
TALKS
The Alchemy of the Handmade Book
Artists Daniel Kelm and Timothy Ely, who engage with themes of alchemy, chemistry, and the hermetic tradition in their handmade books, discuss the relevance of alchemy for contemporary artistic practice. Free; advance ticket required.
Thursday, October 27, 7:00 p.m.
Getty Center, Museum Lecture Hall
DEMONSTRATIONS
Artist at Work: All that Glitters is Gold (or Is It?)
Join renowned book artist Daniel Kelm in an exploration of the use of gold in medieval manuscripts. Drawing on his extensive knowledge of chemistry and alchemy, Kelm investigates the philosophical underpinnings of alchemy and how gold relates to the Humors and other alchemical concepts as he demonstrates techniques for working with gold, including gold leaf on paper and leather and making powdered gold for paint. Free, drop-in program.
Friday, October 28, 1:00–3:00 p.m.
Getty Center, Museum Studios
Artist at Work: Color and Gold
Medieval and Renaissance paintings and illuminations are alive with color and shimmer with gold. Drop by as artist Sylvana Barrett explores how these beautiful and exotic colors were made and demonstrates techniques for creating elaborate gold gilding. Free, drop-in program.
Sunday, November 27, 1:00–3:00 p.m.
Thursday, December 22, 1:00–3:00 p.m.
Friday, December 30, 1:00–3:00 p.m.
Tuesday, January 3, 1:00–3:00 p.m.
Sunday, January 8, 1:00–3:00 p.m.
Getty Center, Museum Studios
COURSES
The Crucible Page: A Workshop with Timothy C. Ely
Join renowned book artist Timothy C. Ely for a special, two-day workshop investigating creative materials and methods for producing a contemporary manuscript page. Inspired by alchemical laboratories, cathedral architecture and medieval manuscripts, participants explore notions of illumination and concealment while employing traditional and invented symbols and codes for a modern take on a historical practice. Course fee $155 (includes materials and Day 1 lunch). Complimentary parking.
Day I: Wednesday, October 26, 10:30 a.m.–5:00 p.m.
Day 2: Thursday, October 27, 1:00–5:00 p.m.
Getty Center, Museum Studios
Culinary Workshop: Edible Alchemy
Journey to the medieval world in this culinary workshop led by educator and chef Nancy DeLucia Real. Participants visit the exhibitions The Alchemy of Color in Medieval Manuscripts and The Art of Alchemy, explore connections between food, color, science, and alchemy, then prepare a class feast for the eyes, body, and spirit. Course fee $95. Complimentary parking. Tickets available beginning Tuesday, November 1.
Thursday, December 8, 10:30 a.m.–2:30 p.m. Repeats Friday, December 9.
Getty Center, Private Dining Room
FILM
Derek Jarman's Blue
Experience Derek Jarman's extraordinary film Blue, a feature-length poetic mediation on color, death, and the void. Presented outdoors on the Getty's Garden Terrace overlooking sweeping views of Los Angeles, the film's projection of pure monochrome blue is set against the deepening night sky. This unique screening event includes a surround-sound experience of Jarman's courageous and moving text narrated by Tilda Swinton, Nigel Terry, and John Quentin, and the exceptional ambient musical soundtrack by Simon Fisher Turner with Brian Eno, Coil, and others.
Friday, November 4, 2016, 7:30 p.m.
Free; advance ticket recommended
Garden Terrace
TOUR
Curator’s Gallery Tour
Nancy Turner, conservator of manuscripts and exhibition curator, the J. Paul Getty Museum, leads a gallery tour of the exhibition. Meet under the stairs in the Entrance Hall. Sign-up begins at 1:30 p.m. at the Information Desk. Capacity limited.
Wednesday, November 2 and 16, 2:30 p.m.
Getty Center, Museum galleries
VIDEO
The Alchemy of Color and Chemical Change in Medieval Manuscripts
Some of the most vivid pigments in medieval manuscripts were manufactured through alchemy, an experimental practice that predates modern chemistry. Today, chemistry deepens our knowledge about paint colors, their identification, and potential continued transformations.
PUBLICATIONS

The Brilliant History of Color in Art
Victoria Finlay

Astrology, Magic, and Alchemy in Art
Matilde Battistini
GALLERY TEXT
Read and download the gallery text that accompanies this exhibition in PDF (7 PP, 978 KB).
EXHIBITION CHECKLIST
Download the exhibition checklist (8 PP, 1.9 MB).
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