The Getty Center
Mapping Space: Recent Acquisitions in Focus
February 26–July 14, 2019
A display of photographs from the Museum’s collection that explore the work of artists who have departed from the traditional rules of landscape composition to document specific geographic locations in new ways. Uta Barth, Robert Kinmont, Richard Long, Mark Ruwedel, and Wang Jinsong use photography to describe natural and built environments through unspecified modes of measurement and intuitive use of perspective. Influenced by the legacy of Conceptualism, a movement that gained popularity in the 1960s, these works emphasize each maker’s personal relationships with the chosen sites.
Encore: Reenactment in Contemporary Photography
March 12–June 9, 2019
The re-staging of past events presents an opportunity for contemporary photographers to highlight underrepresented stories and to critique established narratives. This exhibition brings together works by seven artists—Eileen Cowin, Christina Fernandez, Samuel Fosso, Yasumasa Morimura, Yinka Shonibare MBE, Gillian Wearing, and Qiu Zhijie—all of whom have utilized reenactment in their respective practices. Presented in three topics - personal history, political history, and art history—the works showcase very different approaches to engaging with the past.
Oscar Rejlander: Artist Photographer
March 12–June 9, 2019
Often referred to as the “father of art photography,” Oscar G. Rejlander has been praised for his early experiments with combination printing; for his collaboration with Charles Darwin; and for his influence on the work of Julia Margaret Cameron and Lewis Carroll. This groundbreaking exhibition is the first major retrospective on Rejlander, highlighting new research and a selection of works brought together for the first time.
Organized by the Canadian Photography Institute of the National Gallery of Canada.
Flight of Fancy: The Galle Chandelier
April 9, 2019–April 19, 2020
This display provides an in-depth look at a French chandelier made by the bronze caster and gilder Gérard-Jean Galle in about 1818–19. Resembling a hot-air balloon, the chandelier is a work of extreme novelty that includes the signs of the zodiac and a glass bowl intended to hold water for small goldfish. Following contemporary taste, Galle adapted motifs found in ancient art to new forms of furniture creating an intriguing object that was thoroughly modern for its time.
The Wondrous Cosmos in Medieval Manuscripts
April 30–July 21, 2019
The cosmos—full of shining stars and orbiting planets—inspired study and devotion among scientists, theologians, and artists alike during the Middle Ages. The belief in angels, demons, and spirits moreover materialized in wondrous works of art, especially on the pages of illuminated manuscripts. Awe-inspiring cosmic phenomena informed every aspect of one’s physical, mental, and spiritual well-being in the premodern world. This exhibition invites you to explore the complexity of the celestial realm in medieval European faith and science traditions.
Book of Beasts: The Bestiary in the Medieval World
May 14–August 18, 2019
A vast throng of animals tumble, soar, and race through the pages of the bestiary, a popular medieval book describing the beasts of the world. Abounding with vibrant and fascinating images, the bestiary brought creatures to life before the eyes of readers. The beasts also often escaped from its pages to inhabit a glittering array of other objects. With over 100 works on display, this major loan exhibition will transport visitors into the world of the medieval bestiary.
Reading between the Lines: Drawing Illustrations
June 4–September 15, 2019
The illustration of written texts has provided artists with inspiration, and gainful employment, across the centuries. Presenting some of the most beautifully finished drawings and watercolors in the Getty collection, this exhibition explores illustration as a branch of artistic production in the eighteenth and nineteenth centuries.
June 11–October 13, 2019
The Bauhaus was an art and design school whose brief but highly influential existence coincided with the tumultuous yet exceptionally creative years of the Weimar Republic in Germany (1919–1933). Emerging from an artistic circle with a distinctly expressionist vision, the Bauhaus sought to produce a new kind of artist by blending theory with practice in pursuit of holistic education and a unity of the arts.
Bauhaus Beginnings marks the centenary of the school's founding. Focusing on the relationship between expressionism, abstraction, and modernist thought as played out through various forms of pedagogical exchange, the exhibition highlights the Getty Research Institute's extensive collection of Bauhaus material, including student work, teaching resources, and rare prints, drawings, and photographs.
Bauhaus: Building the New Artist
June 11, 2019–Ongoing
Coming June 11, 2019
At the Bauhaus, the influential Weimar-era art and design school, masters and students forged a unique artistic vision characterized by explorations in form, color, and material. Bauhaus: Building the New Artist invites online visitors to explore the school's history, study its radical pedagogy, investigate its theoretical underpinnings, and experience a Bauhaus education through interactive exercises. The project highlights archival material held at the Getty Research Institute and has been conceived in tandem with the gallery exhibition Bauhaus Beginnings, on view at the Getty Research Institute from June 11 to October 13, 2019.
In Focus: The Camera
July 30, 2019–January 5, 2020
Once a simple wooden box with a primitive lens and cap for controlling light, the modern camera has undergone enormous change since its invention in the early nineteenth-century. Flexible film stocks, built-in light meters, motor drives, and megapixels are a few of the advancements that have transformed the way this ingenious device captures and preserves a moment in time. This display explores the evolution of the camera through the Museum’s collection of historic cameras and photographs.
The Getty Villa
Buried by Vesuvius: Treasures from the Villa dei Papiri
June 26–October 27, 2019
The Getty Villa is modeled on the Villa dei Papiri at Herculaneum. Buried by the eruption of Mount Vesuvius in AD 79, the ancient villa was rediscovered and explored by subterranean tunnels in the 1750s and '60s and was partially re-excavated in the 1990s and early 2000s. It has yielded spectacular colored marble and mosaic floors, frescoed walls, a large collection of bronze and marble statuary, and a library of more than a thousand papyrus scrolls. This exhibition presents rare original artifacts and traces attempts to unroll and decipher the carbonized papyri.