Future Exhibitions and Installations

The Getty Center

  • Exploring the Alps

    November 12, 2024–April 27, 2025

    Based around Giovanni Segantini’s monumental pastel Study for “La Vita” depicting the Alpine peaks that ringed his home in the Engadine Valley in Switzerland, this focused exhibition highlights the different ways in which later 19th-century artists explored and depicted the Alps. Themes include the joys and difficulties of working outdoors and the connections between the land and its inhabitants.

  • Our Voices, Our Getty: Reflecting on Manuscripts

    February 4–May 4, 2025

    Explore a selection of never-before-seen pages from the Museum’s collection of medieval manuscripts, accompanied by personal interpretations by the Getty’s 2024 participants in the Getty Marrow Undergraduate Internship program. Using nature as a theme, interns reflect on issues ranging from their own relationships to the environment to considerations of contemporary ecological issues, reframing and shedding new light on these historic objects.

  • María Magdalena Campos-Pons: Behold

    February 11–May 4, 2025

    Cuban-born Campos-Pons makes vivid photographs, watercolors, installations, and performances that trace the cultural and personal impacts of migration and memory. Her works reflect global histories of labor as they affected her family through enslavement, indenture, and motherhood, emphasizing resilience and respect for her Nigerian and Chinese ancestors. This survey of 35 years of artmaking and activism highlights the interconnectedness between people and their environments, offering an expansive, incisive, and sensorial experience.

  • A Brush with Nature: Romantic Landscape Drawings

    February 18–May 25, 2025

    Artists in the Romantic period found endless inspiration in the beauty and power of nature. This exhibition highlights how these artists depicted the landscape, from detailed botanical studies to vast vistas. Important Romantic motifs are explored, including the melancholic appeal of ruins and the threat of destructive natural forces. Drawing upon the strengths of the Getty collection, the exhibition features works by important figures in the movement including Caspar David Friedrich, J.M.W Turner, and Théodore Géricault.

  • Gustave Caillebotte: Painting Men

    February 25–May 25, 2025

    French painter Gustave Caillebotte’s interest in male subjects sharply distinguishes him from his Impressionist peers. Overwhelmingly, he observed and depicted the men in his life—including his brothers, bachelor friends, fellow sportsmen, and the workers and bourgeois of his neighborhood—and did so in bracingly original paintings that often subverted artistic and gender norms. His distinctive vision of modern masculinity is considered here for the first time in a major international loan exhibition.

    Co-organized with the Musée d’Orsay, Paris and the Art Institute of Chicago.

  • What They Saw: Historical Photobooks by Women 1843–1999

    April 8–May 11, 2025

    This pop-up reading room surveys a global history of photobooks by women photographers from the Getty Library. As part of an international series showcasing the 10×10 Photobooks' catalog What They Saw: Historical Photobooks by Women 1843–1999, it offers an inclusive revision and remapping of the photobook canon. It is complemented by notable photobooks by Southern California women artists after 2000.

  • Symbols and Signs: Decoding Medieval Manuscripts

    May 20–August 10, 2025

    Explore the mysterious world of medieval codes through manuscripts. Learn about the clever configurations of textual and visual elements that medieval scribes and artists deliberately and playfully employed to arrest the attention of readers and engage their minds in deciphering divine and worldly secrets. Intricately interwoven letters, puzzling monograms, cryptic symbols, and more await to be decoded.

  • Going Places: Travel in the Middle Ages

    September 2–November 23, 2025

    In medieval art, the act of movement from one place to another was conceptualized in a variety of imaginative forms. Featuring manuscripts from the Getty’s collection, this exhibition explores the reasons for travel, different modes of medieval travel, and examples of typical travelers. Illustrations often accurately documented the realities of travel and prompted viewers to travel virtually through their imaginations. The exhibition showcases the wide variety of contexts for medieval movement, from religious travel to diplomacy, trade, exploration, and exploitation.

The Getty Villa

  • Ancient Thrace and the Classical World: Treasures from Bulgaria, Romania, and Greece

    November 4, 2024–March 3, 2025

    The ancient land of Thrace, on the northern border of Greece (comprising present-day Bulgaria and parts of Romania), was home to a tribal culture that produced superb gold, silver, and bronze works used in aristocratic pursuits, such as warfare, horsemanship, and banqueting. This exhibition features many objects that were discovered in spectacular Thracian burial mounds. At various times adversaries and allies of the Greeks, the Thracians were greatly influenced by Greek art but created their own distinctive style.

    This project is part of the exhibition series Classical World in Context. Organized by the J. Paul Getty Museum in collaboration with the Ministry of Culture, Republic of Bulgaria and the National Archaeological Institute with Museum at the Bulgarian Academy of Sciences.