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Table of Contents

  1. Foreword
  2. John Onians
  3. pp. v-vi
  4. restricted access
  1. Baciccio's Beata Ludovica Albertoni Distributing Alms
  2. Karen J. Lloyd
  3. pp. 1-18
  4. restricted access
  1. "A likeness in the tomb": Annibale's Self-Portrait Drawing in the J. Paul Getty Museum
  2. Gail Feigenbaum
  3. pp. 19-38
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  1. The Face of China: Photography's Role in Shaping Image, 1860–1920
  2. Sarah E. Fraser
  3. pp. 39-52
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  1. Parsi Patronage of the Urheimat
  2. Talinn Grigor
  3. pp. 53-68
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  1. Whose Design? MoMA and Pevsner's Pioneers
  2. Irene Sunwoo
  3. pp. 69-82
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  1. The PAU Visual Arts Section and the Hemispheric Circulation of Latin American Art during the Cold War
  2. Claire F. Fox
  3. pp. 83-106
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  1. Rasheed Araeen, Live Art, and Radical Politics in Britain
  2. Courtney J. Martin
  3. pp. 107-124
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  1. The Collision of Process and Form: Drawing's Imprint on Peter Eisenman's House VI
  2. Kristina Luce
  3. pp. 125-137
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  1. Mourning Helena: Emotion and Identification in a Roman Grave Stela (71.AA.271)
  2. Niall W. Slater
  3. pp. 139-146
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  1. A Database of Prices Paid to Painters in Seventeenth-Century Rome
  2. Richard E. Spear
  3. pp. 147-150
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  1. Invenzioni capric di carceri: The Prisons of Giovanni Battista Piranesi (1720-1778)
  2. Louis Marchesano
  3. pp. 151-160
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  1. Sigismund Bacstrom's Alchemical Manuscripts
  2. Jeremy Glatstein
  3. pp. 161-168
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  1. Drawings of the Installation of a Nineteenth-Century Picture Gallery: A Study of the Display of Art in Venice
  2. Linda Borean, Anna Cera Sones
  3. pp. 169-176
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  1. The Goupil & Cie Stock Books: A Lesson on Gaining Prosperity through Networking
  2. Agnès Penot
  3. pp. 177-182
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  1. Beau Geste Press
  2. Donna Conwell
  3. pp. 183-192
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  1. Sam Wagstaff: The Photographist
  2. Philip Gefter
  3. pp. 193-202
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  1. Transgressive Techniques of the Guerrilla Girls
  2. Frida Kahlo, Kathe Kollwitz
  3. pp. 203-208
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  1. Portraits at a Museum: An Artist's Project
  2. Ken Gonzales-Day
  3. pp. 209-217
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Number 1, 2009

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Number 3, 2011