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Categories for the Description of Works of Art


Back to Cataloging Examples

Carved gem

Object/Work Catalog Level: item
Type: gem
Controlled list
Authority
  Components/Parts-Quantity: 1 Type: gem
Components/Parts-Quantity:
1 Type: setting
Controlled format
Controlled list
Classification Terms:
           costume
           jewelry
           decorative arts
           Greek and Roman art
Controlled list
Titles or Names Text: Gem with an Athlete Cleaning Himself with a Strigil
    Preference: preferred
    Type: repository
Free text
Controlled list
Creation Creator Description: attributed to Epimenes (Greek, active ca. 500-480 BCE) Free text
  Qualifier: attributed to
Identity:
Epimenes
Roles: carver
Authority
Authority
  Creation Date: ca. 500 BCE
Earliest: -0510 Latest: -0490
Free text
Controlled format
Style/Period/ Group/Movement Indexing Term: Roman Authority
Measurements Dimensions Description: 17.3 x 13.2 x 6.4 mm (5/8 x 1/2 x 1/4 inches) Free text
  Value: 17.3 Unit: mm Type: height
Value: 13.2 Unit: mm Type: width
Value: 6.4 Unit: mm Type: depth
Controlled list and controlled format
Materials and Techniques Description: polished obsidian, engraved and intaglio Free text
  Material Name:  
        obsidian
Technque Names:  
        engraving  
        intaglio  
        polishing
Authority
Subject Matter Indexing terms:
         human figure
         apparel
         identification
         seal
         strigil
         athlete
         male
         scarab
Authority
Descriptive Note Text: Depicts a youth bending over to scrape his shin with a strigil (curved blade). After training, Greek athletes coated themselves in oil and used a strigil to scrape off the sweat, oil, and dirt. The pose of this figure, bending over in some activity, was a favorite for carved gems in the late 500s BCE. The shape of the gem is a scaraboid, a simplified scarab that developed out of the older beetle-shaped seal gems. Scaraboid gems were pierced and worn as a ring or pendant. When attached to a metal hoop and worn as a ring, the curved side faced out and the intaglio surface rested against the finger. When needed as a seal, the ring was removed, the gem swiveled, and the intaglio design was pressed into soft clay or wax to identify and secure property. Free text
  Citation: J. Paul Getty Museum online
Page: accessed 24 July 2005
Authority
Free text
Current Location Repository Name/Geographic Location: J. Paul Getty Museum (Los Angeles, California, United States)
Repository Number: 85.AN.370.6
Authority
Free text
Revised 6 December 2006