8:45–9:15

Registration

9:15–9:30

Opening Remarks and Symposium Introduction
Thomas Crow, Director, Getty Research Institute

Session I:

Deliberate Errors: Object, Context, Place

9:30–9:45

Session I Opening Statement
Thomas Crow, Moderator

9:45–10:05

Slowed Motion: Some Aspects of the Cinematic and
Photographic in Sculpture
Cornelia Butler, Curator, Museum of Contemporary Art, Los Angeles

10:05–10:25

"It's about slowing down": Glen Seator's Three
John Walsh, Director Emeritus, J. Paul Getty Museum

10:25–10:40

Transportable Objects: Found Places Transformed
Lisa Phillips, Director, New Museum of Contemporary Art, New York

10:40–10:55

15 Minute Break

10:55–11:15

If you can make it here, you can make it anywhere
Mark Linder, Associate Professor of Architecture,
Syracuse University, New York

11:15–11:35

If Glen Seator did not exist, it would be necessary to invent him
Bruce Mau, Founding Director, Bruce Mau Design, Ontario, Canada

11:35–12:10

Panel Discussion

12:10–12:30

Audience Discussion

12:30–1:50

Lunch

Session II:

Retraining, Rebuilding, and the Everyday

1:50–2:00

Session II Opening Statement
Thomas Crow, Moderator

2:00–2:20

Photo Finish
Jeffrey Inaba, Prinicpal, AMO, Inc.

2:20–2:40

Studio Condition and Laboratory Condition
Hans Ulrich Obrist, Curator, Musée d'art moderne de la ville de Paris

2:40–3:00

Skinned Alive: Material Abuse in the White Cube
Christoph Grunenberg, Director, Tate Liverpool, England

3:00–3:20

Architectural Perspectives
Terence Riley, Curator, Department of Architecture and Design, Museum of Modern Art, New York

3:20–3:35

15 Minute Break

3:35–4:05

Panel Discussion

4:05–4:25

Audience Discussion

Session III:

First-Voice: The Artist Speaks

4:25–5:10

Thomas Crow in Conversation with Glen Seator

5:10–5:25

Speaker Response

5:25–5:50

Audience Discussion

5:50–6:00

Closing Remarks, Thomas Crow