The Image of Peru: History and Art, 1550-1880
Archival Program Information
For current Research Institute events, please see The Getty Event Calendar
For current Research Institute events, please see The Getty Event Calendar
Schedule
Friday, October 17, 2008
10:00 a.m.–5:00 p.m.
Saturday, October 18, 2008
9:00 a.m.–5:30 p.m.
Museum Lecture Hall
The Getty Center
Admission is free. Separate reservations are required for each day of the symposium.
10:00 a.m.–5:00 p.m.
Saturday, October 18, 2008
9:00 a.m.–5:30 p.m.
Museum Lecture Hall
The Getty Center
Admission is free. Separate reservations are required for each day of the symposium.
DAY 1: Friday, October 17, 2008
9:00–10:00 a.m. Check-In and Exhibition Viewing
9:00–10:00 a.m. Check-In and Exhibition Viewing
- Check-in, Museum Lecture Lobby
- Exhibition viewing of The Marvel and Measure of Peru: Three Centuries of Visual History, 1560–1880, Getty Research Institute Exhibition Gallery
SESSION 1 – MURÚA: THE TEXTS
10:00 a.m.12:30 p.m.
Welcome
Thomas Gaehtgens, Director, Getty Research Institute
Introduction
Barbara Anderson, Director of Museum Resources, New Mexico Department of Cultural Affairs
Last Acts: The Completion of Murúa's Historical Works
Rolena Adorno, Reuben Post Halleck Professor of Spanish and Chair of the Department of Spanish and Portuguese, Yale University
Coffee Break
11:20–11:30 a.m
The Author and His Helpers: Textual Hands in the Murúa Manuscripts
Ivan Boserup, Head of the Department of Manuscripts and Rare Books, Det Kongelige Bibliotek, Copenhagen
Further Evidence in the Murúa Chronicle: The Hidden Texts
Juan Ossio, Senior Professor, Pontificia Universidad Católica del Perú
Discussion
10:00 a.m.12:30 p.m.
Welcome
Thomas Gaehtgens, Director, Getty Research Institute
Introduction
Barbara Anderson, Director of Museum Resources, New Mexico Department of Cultural Affairs
Last Acts: The Completion of Murúa's Historical Works
Rolena Adorno, Reuben Post Halleck Professor of Spanish and Chair of the Department of Spanish and Portuguese, Yale University
Coffee Break
11:20–11:30 a.m
The Author and His Helpers: Textual Hands in the Murúa Manuscripts
Ivan Boserup, Head of the Department of Manuscripts and Rare Books, Det Kongelige Bibliotek, Copenhagen
Further Evidence in the Murúa Chronicle: The Hidden Texts
Juan Ossio, Senior Professor, Pontificia Universidad Católica del Perú
Discussion
Lunch Break
12:30–2:00 p.m.
12:30–2:00 p.m.
SESSION 2 THE OBJECT AND ITS IMAGES
2:00–5:00 p.m.
Dibujado de Mi Mano: Martín de Múrua as Artist
Thomas Cummins, Dumbarton Oaks Professor of the History of Pre-Columbian and Colonial Art, Harvard University
An Unfinished History: The Making and Materials of the Galvin and Getty Murúas
Nancy Turner, Conservator of Manuscripts in the Department of Paper Conservation, J. Paul Getty Museum
Coffee Break
3:20–3:30 p.m.
Colorants and Artist's Palettes in the Murúa Manuscripts
Karen Trentelman, Senior Scientist, Getty Conservation Institute
Woven Documents: Color, Design and Cultural Origin of the Textiles in the Getty Murúa
Elena Phipps, Senior Museum Conservator, Metropolitan Museum of Art
Discussion
2:00–5:00 p.m.
Dibujado de Mi Mano: Martín de Múrua as Artist
Thomas Cummins, Dumbarton Oaks Professor of the History of Pre-Columbian and Colonial Art, Harvard University
An Unfinished History: The Making and Materials of the Galvin and Getty Murúas
Nancy Turner, Conservator of Manuscripts in the Department of Paper Conservation, J. Paul Getty Museum
Coffee Break
3:20–3:30 p.m.
Colorants and Artist's Palettes in the Murúa Manuscripts
Karen Trentelman, Senior Scientist, Getty Conservation Institute
Woven Documents: Color, Design and Cultural Origin of the Textiles in the Getty Murúa
Elena Phipps, Senior Museum Conservator, Metropolitan Museum of Art
Discussion
DAY 2: Saturday, October 18, 2008
Check-In, Museum Lecture Hall Lobby
8:30 a.m.
SESSION 3 EARLY CONTEXTS
9:00 a.m.12:00 p.m.
Introduction
Barbara Anderson, Director of Museum Resources, New Mexico Department of Cultural Affairs
Purposeful Chiaroscuro in the Journey of Diego de Ocaña
Kenneth Mills, Professor of History and Director of Latin American Studies, University of Toronto
Seeing Peruvian Nature, Up Close and from Afar
Daniela Bleichmar, Assistant Professor, Departments of Art History and Spanish and Portuguese, University of Southern California
Coffee Break
11:10–11:30 a.m.
Andean Antiquity in the Eighteenth Century
Joanne Pillsbury, Director of Pre-Columbian Studies, Dumbarton Oaks, Washington, D.C.
Discussion
Lunch Break
12:00–1:30 p.m.
12:00–1:30 p.m.
SESSION 4 NINETEENTH CENTURY CONTEXTS
1:30–3:30 p.m.
Pancho Fierro's Holy Week Scroll
Marcus Burke, Curator, The Hispanic Society of America
Picturing Race/Viewing Race
Natalia Majluf, Director, Museo de Arte de Lima
The Getty Inka and the Visual Economy of Late Colonial Peru
Janet G. Stephens, Doctoral Candidate, Department of Art History, University of California, Los Angeles
Discussion
1:30–3:30 p.m.
Pancho Fierro's Holy Week Scroll
Marcus Burke, Curator, The Hispanic Society of America
Picturing Race/Viewing Race
Natalia Majluf, Director, Museo de Arte de Lima
The Getty Inka and the Visual Economy of Late Colonial Peru
Janet G. Stephens, Doctoral Candidate, Department of Art History, University of California, Los Angeles
Discussion
Coffee Break
3:30–3:45 p.m.
3:30–3:45 p.m.
SESSION 5 ROUND TABLE DISCUSSION: "Into the Future"
3:45–5.30 p.m
Thomas Cummins, moderator
Painters, Colors, Pigments and Meaning in the Images of Bernardino de Sahagún’s Florentine Codex
Diana Magaloni Kerpel, Professor, Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México
Sahagún's Codex and Book Design In The Indigenous Context (will be presented in Spanish)
Marina Garone Gravier, Doctoral Candidate, Art History Program, Universidad Nacional Autónoma de México
Let the Waters and the Pigments Flow on These Pages: Making and Emending Landscape in the Relación e Michoacán
Angélica J. Afanador Pujol, Assistant Professor of Art History, University of Minnesota
Clara Bargellini, Senior Research Fellow and Professor, Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México (respondent)
Thomas Cummins, moderator
Painters, Colors, Pigments and Meaning in the Images of Bernardino de Sahagún’s Florentine Codex
Diana Magaloni Kerpel, Professor, Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México
Sahagún's Codex and Book Design In The Indigenous Context (will be presented in Spanish)
Marina Garone Gravier, Doctoral Candidate, Art History Program, Universidad Nacional Autónoma de México
Let the Waters and the Pigments Flow on These Pages: Making and Emending Landscape in the Relación e Michoacán
Angélica J. Afanador Pujol, Assistant Professor of Art History, University of Minnesota
Clara Bargellini, Senior Research Fellow and Professor, Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México (respondent)
CLOSING RECEPTION, Museum Lecture Hall Lobby
5:30–6:45 p.m.
5:30–6:45 p.m.