The Decorated Letter
At the J. Paul Getty Museum, the Getty Center,
November 13, 2007 - January 27, 2008
September 25, 2007
LOS ANGELES—Throughout the Middle Ages, handwritten manuscripts were elaborately decorated with initials that called attention to the important part of a text, testified to the authority of the written word of God, and brought the vibrancy of speech and song to the manuscript page. Medieval initials were often intricately designed, lavished with gold, and painted with expensive pigments. The Decorated Letter, at the J. Paul Getty Museum, the Getty Center, November 13, 2007-January 27, 2008, explores the stylistic traditions of decorated initials preserved from a period that spans over 700 hundred years. Exhibition materials are primarily drawn from books of scripture and prayer, with a few examples from the realms of law and history, and provide insight into the trends that shaped medieval artistic production. The exhibition complements the Getty’s Fall Premiere Presentation Medieval Treasures from the Cleveland Museum of Art.
This display of 25 manuscripts and leaves from the Getty Museum’s collection presents some of the most beautifully decorated initials in manuscripts, tracing the sophisticated relationship between pictures and words in three major categories of decorated letters: ornamented, inhabited or figurative, and historiated.
Ornamented letters were among the earliest decorated letters applied by medieval manuscript artists. They are usually adorned with foliage or vegetal motifs that range from carefully interlaced, stylized forms to more naturalistic renderings of lush vegetation. In the context of Christian religious service and prayer books, luxurious foliage and vegetal patterns expressed the medieval belief in the life-giving power of the word of God.
People, animals, and fantastic beasts appear in two types of initials that engaged the reader’s attention and provoked curiosity about the text the letters introduced. In inhabited letters, figures climb on, crawl through, or emerge from decorative forms. In figurative letters, the contoured bodies of people or creatures form the shape of the letter itself.
Historiated letters contain distinct scenes or subject matter specifically related to the texts they introduce. The earliest historiated letters were simple illustrations of the biblical or historical figure to which a text was attributed. Later examples depicted elements of an important story or scene from the text.
This exhibition also includes an example of a Renaissance constructed alphabet by Joris Hoefnagel, arguably the last great manuscript illuminator. In stark contrast to the animated initials in medieval books, Hoefnagel’s Model Book of Calligraphy provides a geometric template and a completed character for each letter of the alphabet.
The Decorated Letter is curated by Richard Leson, a former intern in the Department of Manuscripts at the J. Paul Getty Museum.
UPCOMING MANUSCRIPTS EXHIBITION
Rare Finds: Ten Years of Manuscripts Collecting
February 12 – April 20, 2008
In celebration of the 10th anniversary of the Getty Center, the Manuscripts Department of the J. Paul Getty Museum is mounting an exhibition of selected acquisitions of the past ten years. The display includes some of the collection's illuminated treasures including the 12th-century Stammheim Missal, a masterpiece of German medieval art; the Avranches psalter, one of the earliest examples of Gothic book painting in France; three miniature paintings from a famous 14th-century Florentine hymnal; the unique copy of a racy epistolary novel written by the future Pope Pius II; and the portrait of King Louis XII of France from his book of hours. The selection includes a strong representation of manuscripts and miniatures ranging from the 13th to the 16th centuries from Italy along with examples of illumination from France, Germany, Spain, Belgium, the Czech Republic, Greece, and Ethiopia.
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Getty Communications Dept.
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