The Getty Villa

All performances take place in the Auditorium at the Getty Villa. Parking is $10 after 3:00 p.m.

Culture Clash Presents

Featuring Buyepongo


Date: Friday, February 2, 9, 16, 2018 at 8:00 p.m.
Saturday, February 3, 10, 24, 2018 at 4:00 and 8:00 p.m.
Sunday, February 4, 11, 18, 2018 at 4:00 p.m.
There are no performances on Saturday, February 17, 2018

Admission: Tickets: $20. Call (310) 440-7300 or use the "Get Tickets" button below.
This program contains language that may not be suitable for children under 13.

Loosely based on Aristophanes' The FrogsSAPO takes place in San Francisco. Mid 1970's: a young chicano band named SAPO-sporting afro's, sweaty vests, and bell bottom jeans set out to surpass SANTANA's success by making it big in the music industry with their own smooth acoustic latin sounds. They meet a shady producer/agent & upholstery guy also named SAPO who promises SAPO the band a record if only they come down to la where an industry "god" lives in a yacht off the malibu coast. It's a slithery world of mischief and deception and slippery hippy lilly pads where anything goes.

Artist Statement
Once again Culture Clash is drawn to the classic and relevant texts of Greek playwright Aristophanes Jones. Of course his name was not Jones but there is a familiarity to his humor, satire and biting views of society that he may as well be a Jones or a Garcia or a lead writer in modern TV writers room. In The Birds there was the search and desire to live in a sanctuary – among the birds – then the humans set about to destroy that sanctuary whether they intended to or not. In PEACE two commoners help to commandeer a huge dung beetle to help their master fly up to the gods to negotiate peace after a decades long war!

In The Frogs a God ventures down for a journey to the Gates of Hell to roust a poet who might help – with words – to sooth the crumbling civilization. In each play Culture Clash finds the simple thread and rewinds, re-mixes and retells the crux of the original yarn while always endeavoring to honor the OG Aristophanal wildness. It takes an army to explore and find the relevance in each play but Aristophanes himself leaves a wild blueprint from which to play and ply one's satiric skills. For Peace and The Birds the literary god and dramaturge John Glore was the fourth Clash member at the writing table. Guiding us back to the ancient text of his Yale Drama School tenure and the dog-eared books where the yellow highlight pen earnestly underlines important notes like:
"Written at a time when Athens reeled in exhaustion after decades of war, her political and cultural fabric unraveling, THE FROGS represents Aristophanes' turning toward the past to search out the wisdom to deal with the disasters threatening his city."
Lines like this are lifelines with their clarity and echo strangely and hauntingly to our current state of affairs and civilization. Smarty pants Johnny Machine Gun Glore, now Artistic Associate Director at South Coast Rep is correct to point us once again to that quote and we are ever indebted to him for this and the continuing conversation.

Poets and poetry have always been a huge aspect of Culture Clash's creative thrust. Jose Montoya was the godfather of Chicano Poetry, one of the first word smiths to use CALO – a free mix of Spanish and English, earthy humor and deep drama there on the page not unlike a Culture Clash or Luis Alfaro script. The current U.S. Poet Laureate is Chicano, as are the L.A. and San Francisco Laureates! Perhaps their words will help sooth a divided nation: Walls, Travel Bans, Supreme Court Justices – our world seems to be teetering once again.

What will be the role of the artists and writers? To ignore or present frivolous farces and musicals or dig deep into the canon of the Greeks and other classic texts that tell us something about ourselves on ever deeper levels. Shakespeare, Aristophanes, and Socrates, they've all been here before. They can teach us volumes, if only we can hear them through the endless and blaring news cycle and the loud profane voice that emanates from a large White House on a cold and isolated hill. Thank you Getty Villa Labs, collaborators and audiences, get ready for another wild ride in the shotgun seat in our customized lowrider chariot! Special gracias to our Getty Villa amigos Anna, Laurel and tío Ralph!
The Boyz - Culture Clash 2017
Culture Clash
This past year marked the company's 33rd year anniversary as the most prominent Chicano/Latino performance troupe in the country, with work ranging from sketch comedy to drama, to adaptations of Aristophanes, to co-writing Frank Loesser's long lost musical Señor Discretion Himself based on a story by the late Budd Schulberg. Founded on May 5 (Cinco de Mayo), 1984, in San Francisco's historic Mission District, Culture Clash consists of Richard Montoya, Ric Salinas, and Herbert Siguenza.

This prolific group's most recent plays include: American Night: The Ballad of Juan Jose for the Oregon Shakespeare Festival, in Ashland, Oregon. This play was selected to launch American Revolutions: The United States History Cycle, along with other writers, David Henry Hwang, Suzan-Lori Parks, Naomi Wallace, and Robert Schenkkan. Peace at the Getty Villa, Palestine, New Mexico at the L.A.'s Mark Taper Forum and Culture Clash in AmeriCCa at venues throughout the U.S.

Culture Clash made television history with the first-ever Chicano sketch TV show: Culture Clash, which aired on several Fox syndicated markets. In addition, Culture Clash produced interactive video installations for Cheech Marin's "Chicano Now-American Expressions" national touring art show, which toured for over five years.

Culture Clash is the recipient of numerous awards, commissions and grants, including a grant from the Rockefeller Foundation, the Helen Hayes Award, the Latino Spirit Award, the Los Angeles Hispanic Media Award, the Nosotros Golden Eagle Award for Outstanding Theater Group, The Liberty Hill Foundation Award and dozens of city and state proclamations commendations. Their videos, short films and art exhibits have been shown at The Smithsonian, The Whitney Museum of American Art, Sundance Film Festival, The San Juan, Puerto Rico Film and Video Festival, The Art Institute of Boston, The Palm Springs Film Festival, and The Los Angeles Film Festival, among others.

Culture Clash has three books of compilations: Culture Clash: Life, Death and Revolutionary Comedy, Culture Clash in AmeriCCa and the forthcoming Oh Wild West: The California Plays, with TCG Books. Audio versions of Radio Mambo, Bordertown, and Chavez Ravine are available through Los Angeles Theatre works,

The name Buyepongo translates to "cause a ruckus" which certainly describes the scene on the dance floors around the world whenever the band launches into its energetic and instantly infectious rhythms. It also describes Buyepongo's riotous mash-up of influences, which absorbs hip-hop, punk, funk, and jazz sounds into a tropical blend of styles from across the Latin American diaspora. Like its name, the band is part hybrid, part invention, something untranslatable that nevertheless perfectly captures their uniquely vibrant spirit.

How to Get Here
The Getty Villa is located at 17985 Pacific Coast Highway in Malibu, California, approximately 25 miles west of downtown Los Angeles. See Hours, Directions, Parking for directions and parking information.