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The Burning of the Houses of Lords and Commons, October 16, 1834, 1834–35, Joseph Mallord William Turner. Oil on canvas. Philadelphia Museum of Art: The John Howard McFadden Collection, 1928

Opening This Month

  Snow Storm – Steam-Boat off a Harbour's Mouth, exhibited 1842, Joseph Mallord William Turner. Oil on canvas. Tate: Accepted by the nation as part of the Turner Bequest 1856. Photo © Tate, London 2014

J. M. W. Turner: Painting Set Free

February 24–May 24, 2015 | The Getty Center
This exhibition brings together over 60 key oil paintings and watercolors by J. M. W. Turner produced during the last 15 years of his life—a time of extraordinary inventiveness in the artist's career. Demonstrating ongoing radicalism of technique and original subject matter, these works show Turner constantly challenging his contemporaries while remaining keenly aware of the market for his art.

This exhibition was organized by Tate Britain, in association with the J. Paul Getty Museum and the Fine Arts Museums of San Francisco. It is supported by an indemnity from the Federal Council on the Arts and Humanities.

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  Queen of the Night, about 1864–67, Moritz von Schwind. Watercolor over graphite. The J. Paul Getty Museum

Zeitgeist: Art in the Germanic World, 1800–1900

February 10–May 17, 2015 | The Getty Center
Paintings, drawings, and prints from the J. Paul Getty Museum, the Getty Research Institute, and distinguished local private collections examine a pivotal moment in German history in this exhibition. Works by artists such as Caspar David Friedrich, Philipp Otto Runge, and Gustav Klimt reflect the profound changes in Germany between 1800 and 1900, brought on by the Industrial Revolution, the formal unification of Germany into a nation state, and the invention of psychoanalysis.




Continuing This Month

  Saint Edward the Confessor (detail), about 1430–40, Master of Sir John Fastolf. Tempera colors, gold leaf, and ink on parchment. The J. Paul Getty Museum, Ms. 5, fol. 42v

Give and Ye Shall Receive: Gift Giving in the Middle Ages

Through March 15, 2015 | The Getty Center
Gift exchange in the Middle Ages was the social interaction that defined and manifested relationships between family and friends, acquaintances and strangers, and God and the church. The medieval book itself was a particularly powerful present, an object filled with words and striking images meant to edify and flatter the recipient, as well as to solidify political and social alliances. Explore the culture of gift giving in the Middle Ages as depicted in illuminated manuscripts from the Getty Museum's collection.

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  Prague, 1968, Josef Koudelka. Gelatin silver print. Image courtesy of the Art Institute of Chicago, promised gift of private collector. © Josef Koudelka/Magnum Photos

Josef Koudelka: Nationality Doubtful

Through March 22, 2015 | The Getty Center
Czech-born photographer Josef Koudelka has produced some of the most iconic and riveting photographs of the last 50 years. In 1968, he risked his life to document the Warsaw Pact invasion of Czechoslovakia, which ultimately forced his exile. Unable to produce documentation that verified his birthplace as Czechoslovakia, he acquired the legal status of "Nationality Doubtful." This exhibition traces Koudelka's influential career from its beginnings to his recent work focusing on expansive, panoramic images.

This exhibition was co-organized by the J. Paul Getty Museum and the Art Institute of Chicago in association with Fundación MAPFRE.


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  Massacre, 1914–16, Henry de Groux. Etching with soft-ground etching. The Getty Research Institute

World War I: War of Images, Images of War

Through April 19, 2015 | The Getty Center
The first major war of the 20th century, World War I unleashed modern technologies of killing and devastation never before seen. In this first war fought by an entire generation of modern artists, culture was enlisted as an integral part of the conflict. This exhibition examines World War I from two perspectives: the representation of the war in propaganda, and the depiction of war by artists who experienced the brutality firsthand.

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  Cup with Centaur, 1–100, Roman. Silver and gold. Bibliothèque nationale de France, Département des monnaies, médailles et antiques, Paris

Ancient Luxury and the Roman Silver Treasure from Berthouville

Through August 17, 2015 | The Getty Villa
In 1830, a French farmer accidentally discovered the spectacular hoard of gilt-silver statuettes and vessels known as the Berthouville Treasure. Following four years of meticulous conservation and research at the Getty Villa, this exhibition presents the opulent cache in its entirety— together with precious gems, jewelry, and other Roman luxury objects from the royal collections of the Cabinet des Médailles at the Bibliothèque nationale de France—offering new insights about ancient art, technology, religion, and cultural interaction.

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Performances

  Yuri Yanakov

Sounds of L.A.: Yuri Yunakov and the Yunakov Ensemble

Saturday, February 7, 7:00 p.m.
Sunday, February 8, 3:30 p.m. | The Getty Center
The hallmark of Bulgarian wedding music is virtuosic technique, dynamic key changes, and eclectic musical influences. Turkish-Bulgarian Roma saxophonist, Yuri Yunakov, is one of the genre's pioneers, a NEA National Heritage Fellow, and a tireless champion of this music and the extraordinary culture from which it comes. Simply put, Yunakov's concerts are an untethered celebration of what makes life worth living.

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  Cora on a train. Photo: Janie Geiser

Villa Theater Lab: Tungsten (artery), A Modern Retelling of Persephone

Friday, February 20, 8:00 p.m.
Saturday, February 21, 3:00 and 8:00 p.m.
Sunday, February 22, 2:00 p.m. | The Getty Villa
This multidisciplinary puppet play with video and live performance centers on Cora, a contemporary Persephone whose annual return to the "upper air" has been the catalyst for spring. But her role, and the cycle of the seasons, are now in question. Directed and designed by Janie Geiser. Written by Erik Ehn. Tickets $7.

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Lectures

  Saint John on Patmos (detail), about 1500, Master of the Chronique scandaleuse. Tempera colors, ink and gold on parchment. The J. Paul Getty Museum. Ms. 109, fol 93

A Treasury of Devotion: Books of Hours and Their Owners

Thursday, February 12, 7:00 p.m. | The Getty Center
The book of hours was the laity's prayer book in the Middle Ages and Renaissance, and often used as a tool for learning how to read as well as how to pray. Virginia Reinburg, associate professor of history at Boston College, discusses how those fortunate enough to own books of hours often turned them into a collection of favorite prayers, images, pilgrim souvenirs, and family lore.

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  Quiet Heroes (detail) from the cover of Kriegszeit Künstlerflugblätter, no. 54 (October 1, 1915), Waldemar Rösler. Lithograph. Lent by the Los Angeles County Museum of Art, The Robert Gore Rifkind Center for German Expressionist Studies, purchased with funds provided by Anna Bing Arnold, Museum Associates Acquisition Fund, and deaccession funds

World War I Lecture Series: Representing Trauma in WWI

Sunday, February 22, 2:00 p.m. | The Getty Center
The second installment in this series begins with a screening of Fernand Léger and Dudley Murphy's avant-garde film Ballet mécanique (1924, 16 minutes), followed by an analysis from art historian Gordon Hughes, considering the film through the lens of Léger's traumatic experience as a French soldier in World War I. Historian Paul Lerner will then situate the massive wave of debilitating trauma that afflicted combatants on all sides of the war within the context of competing early-20th-century psychiatric theories.

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  Red-figure volute krater showing Amazons preparing for battle (detail), Greek, Athens, 490 B.C., terracotta. The J. Paul Getty Museum, Gift of Gordon McLendon

Amazons: Warrior Women of the Ancient World

Thursday, February 26, 7:30 p.m. | The Getty Villa
Fierce Amazons are featured in some of the most famous of Greek myths—but were they real? Author Adrienne Mayor tells of new archaeological discoveries of battle-scarred female skeletons buried with their weapons as evidence that warrior women were not merely figments of the Greek imagination. Free; a ticket is required.

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For a complete listing of daily activities at the Getty Center and Getty Villa, please see our event calendar »
 

50% Off Select Getty Publications—Online Sale

Through February 28
Purchase select Getty Publications for 50% off from the Getty Store!

Ever wonder what Cézanne did in his free time? Or how museums conserve contemporary art and color photographs? Or what Rothko thought about teaching art to children? Shop our Winter Book Sale and find out! Offer lasts until February 28.

Shop the Winter Book Sale now »



Highlights at a Glance—February

Opening This Month

Zeitgeist: Art in the Germanic World, 1800–1900 (February 10–May 17, 2015)
J. M. W. Turner: Painting Set Free (February 24–May 24, 2015)

Continuing This Month

Give and Ye Shall Receive: Gift Giving in the Middle Ages (Through March 15)
Josef Koudelka: Nationality Doubtful (Through March 22)
World War I: War of Images (Through April 19)
In Focus: Play (Through May 10)

Hot Tickets

Performance: Sounds of L.A. (Feb. 7 & 8)
Lecture: A Treasury of Devotion (Feb. 12)
Lecture: Representing Trauma in WWI (Feb. 22)


Continuing Exhibitions

Dangerous Perfection: Funerary Vases from Southern Italy (Through May 11)
Ancient Luxury and the Roman Silver Treasure from Berthouville (Through Aug. 17)

Hot Tickets

Performance: Villa Theater Lab (Feb. 20, 21, & 22)
Lecture: Amazons: Warrior Women of the Ancient World (Feb. 26)

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