This Romano-Egyptian mummy combines the millennia-old Egyptian tradition of mummification of the dead with the Roman tradition of individualized portraiture. The blending of these two traditions was characteristic of the ethnically and culturally diverse population of the Roman province of Egypt.
The painted mummy portrait depicts a young man. Unlike most mummy portraits, no clothing is visible on the man's shoulders. Scholars do not agree on how to interpret the small but significant number of mummy portraits depicting nude men. Some scholars interpret them as youths who have become ephebes, with the nudity signaling their age and social status. Some portraits, however, like this one, show older men. Other scholars believe that nudity is a religious rather than social statement. If so, then the men and youths would be initiates in the cult of Isis who are shown naked to symbolize their rebirth.
This portrait is unusual in that the linear hatching the artist used to create shadows is characteristic of tempera painting, not encaustic. The gilded wreath and background were added to the painting when it was cut down and bound in the mummy wrappings. This mummy is one of a small group wrapped in characteristic red shrouds. In Egyptian religion, red was associated with life and regeneration. Symbols connected with Egyptian funerary ritual cover the length of the body.