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    Andrea del Sarto: The Renaissance Workshop in Action

    June 23–September 13, 2015

    Getty Center

    Study of the Head of a Young Woman

    Study of the Head of a Young Woman, about 1523, Andrea del Sarto, red chalk. Gabinetto Disegni e Stampe, Gallerie degli Uffizi, Florence. Su concessione del Ministero dei beni e delle attività culturali e del turismo

  • The Sacrifice of Isaac

    The Sacrifice of Isaac, about 1528, Andrea del Sarto, oil on panel. Courtesy of and © The Cleveland Museum of Art, Delia E. Holden and L.E. Holden Funds, 1937.577

  • Study for the Head of Saint John the Baptist

    Study for the Head of Saint John the Baptist, about 1523, Andrea del Sarto, black chalk. Courtesy of the National Gallery of Art, Washington, Woodner Collection, 1991.182.14

  • Study of a Donkey in Profile to the Left, Grazing

    Study of a Donkey in Profile to the Left, Grazing, about 1528, Andrea del Sarto, red chalk. The British Museum, T,12.19. Bequeathed by William Fawkener, 1769. Image © Trustees of the British Museum

  • Portrait of a Young Man

    Portrait of a Young Man, about 1517-18, Andrea del Sarto, oil on canvas. Courtesy of and © The National Gallery, London. Bought, 1962

  • Study of Figures Behind a Balustrade

    Study of Figures Behind a Balustrade (recto), about 1522, Andrea del Sarto, red chalk. The J. Paul Getty Museum

  • Study of the Head of an Old Woman

    Study of the Head of an Old Woman, about 1529, Andrea del Sarto, red chalk. The Ashmolean Museum, Oxford. Presented by a Body of Subscribers, 1846. Image © Ashmolean Museum, University of Oxford

  • Head of an Infant in Profile to the Right

    Head of an Infant in Profile to the Right, about 1527, Andrea del Sarto, red chalk. Gabinetto Disegni e Stampe, Gallerie degli Uffizi, Florence. Su concessione del Ministero dei beni e delle attività culturali e del turismo

Andrea del Sarto: The Renaissance Workshop in Action

June 23–September 13, 2015, Getty Center

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This major loan exhibition celebrates the transformation of the art of drawing by Andrea del Sarto (1486–1530), one of the great Florentine Renaissance artists. Moving beyond the graceful harmony and elegance of his elders and peers, such as Leonardo da Vinci, Raphael, and Fra Bartolommeo, Andrea brought unprecedented realism and immediacy to his art through the rough and rustic use of red chalk and the creation of powerful life and compositional studies. Comprising rare drawings and panel paintings from key international collections, the exhibition fully illuminates Andrea del Sarto's inventiveness, creative process, and workshop practice. 



This exhibition has been co-organized by the J. Paul Getty Museum and the Frick Collection, New York, in association with the Gabinetto Disegni e Stampe, Gallerie degli Uffizi, Florence. We acknowledge the generous support provided by an anonymous donation in memory of Melvin R. Seiden and by the Italian Cultural Institute.

Related Events

A variety of special programs complement the exhibition. All events are free, unless otherwise noted. Seating reservations are required. For reservations and information, please call (310) 440-7300 or see information on planning a visit.

Talks
Andrea del Sarto: Secrets of Renaissance Creativity

Investigating the creative processes of the Italian Renaissance masters involves detective work that yields as many questions as it does answers. By examining evidence gathered from the works of the Florentine master Andrea del Sarto (1486–1530), Julian Brooks, curator of drawings at the Getty, charts the mysteries of their production, noting those which can be solved today and those which may remain forever unknown.
Sunday, July 19, 3:00 p.m.
Getty Center: Museum Lecture Hall

Artists and the Workshop in 16th-Century Florence: A "Complicated" Relationship

In 16th-century Florence, the tradition of artists' workshops began to change. Some artists moved away from the artisan model of permanent workshops, while others continued to maintain them. Louis Waldman, professor of art history at the University of Texas, Austin, explores the reasons for these shifts, including the lesser-known role played by some artists' wives.
Sunday, August 16, 3:00 p.m.
Getty Center: Museum Lecture Hall

SYMPOSIUM
Andrea del Sarto: His Drawings, His Paintings, and His Relationship to Sculpture

An international group of scholars presents current research on the Florentine Renaissance master Andrea del Sarto.
Sunday, September 13, 9:00 a.m.–5:00 p.m.
Getty Center: Museum Lecture Hall

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COURSES
Drawing from the Masters

Enjoy the tradition of sketching from original artworks at the Getty Center. Guest artists provide general guidance. All experience levels are welcome. Participants are encouraged to bring sketchpads. Sign-up begins at 2:30 p.m. at the Information Desk. This is a free program.

  • The Art of Drawing Animals

    Discover techniques for capturing the form and gesture of animals with artist Peter Zokosky.
    Sunday, July 5 and 19, 3:30–5:30 p.m.
    Getty Center: Museum galleries

  • The Art of Figure Drawing

    Learn to draw the human figure with artist Kaitlynn Redell.
    Sunday, August 2 and 16, 3:30–5:30 p.m.
    Getty Center: Museum galleries

  • Expressive Mark Making

    Explore the expressive power of mark making with artist Marissa Magdalena.
    Sunday, September 6 and 20, 3:30–5:30 p.m.
    Getty Center: Museum galleries

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Drawing Workshop: Andrea del Sarto and the Florentine Portrait

Rivaling Leonardo da Vinci as one of history’s most accomplished draftsmen, Andrea del Sarto introduced a naturalism and immediacy unseen in Renaissance Florence. Discover the work of del Sarto while learning to draw the human head with artist Richard Houston in this daylong studio workshop. Working from both the live model and works of art in the galleries, participants systematically investigate proportions, form, value, and expression as well as del Sarto’s underlying methods and creative process. Course fee $125 (includes materials and lunch).
Sunday, July 19, 10:30 a.m.–5:00 p.m. Repeats Saturday, August 29.
Getty Center: Museum Studios

TOURS
Curator’s Gallery Tours

Julian Brooks, curator of drawings, the J. Paul Getty Museum, leads a tour of the exhibition. Meet under the stairs in the Entrance Hall.
Tuesday, July 21 and August 25, 2:30 p.m.
Getty Center: Museum galleries

PUBLICATIONS

Publications are available in the Getty Museum Store, by calling (310) 440-7333, or online.

VIDEO


Almost Invisible: The Cartoon Transfer Process

Infrared cameras now reveal concealed drawings under the surface of many of the Renaissance's most revered paintings. Learn how this radical drawing technique was done.

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